|Academy Awards aka Oscars|
|91st Academy Awards|
|Awarded for||Excellence in cinematic achievements|
|Presented by||Academy of Motion Picture Arts and Sciences|
|First awarded||May 16, 1929|
The Academy Awards, also officially and popularly known as the Oscars, are awards for artistic and technical merit in the film industry. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette, officially called the "Academy Award of Merit", although more commonly referred to by its nickname "Oscar". The statuette depicts a knight rendered in Art Deco style.
The award was originally sculpted by George Stanley from a design sketch by Cedric Gibbons. AMPAS first presented it in 1929 at a private dinner hosted by Douglas Fairbanks in the Hollywood Roosevelt Hotel. The Academy Awards ceremony was first broadcast on radio in 1930 and televised for the first time in 1953. It is the oldest worldwide entertainment awards ceremony and is now seen live worldwide. It is the oldest of the four major annual American entertainment awards; its other three equivalents – the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music – are modeled after the Academy Awards.
The 91st Academy Awards ceremony, honoring the best films of 2018, was held on February 24, 2019, at the Dolby Theatre, in Los Angeles, California. The ceremony was broadcast on ABC. A total of 3,096 Oscar statuettes have been awarded from the inception of the award through the 91st ceremony. It was the first ceremony since 1989 without a host.
- 1 History
- 2 Oscar statuette
- 3 Nomination
- 4 Awards ceremonies
- 5 Venues
- 6 Awards of Merit categories
- 7 Special categories
- 8 Criticism
- 9 Associated events
- 10 Presenter and performer gifts
- 11 Television ratings and advertisement prices
- 12 Trademark
- 13 See also
- 14 References
- 15 Further reading
- 16 External links
The post-awards party was held at the Mayfair Hotel. The cost of guest tickets for that night's ceremony was $5 ($73 in 2018 dollars). Fifteen statuettes were awarded, honoring artists, directors and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15 minutes.
Winners were announced to media three months earlier. That was changed for the second ceremony in 1930. Since then, for the rest of the first decade, the results were given to newspapers for publication at 11:00 pm on the night of the awards. This method was used until an occasion when the Los Angeles Times announced the winners before the ceremony began; as a result, the Academy has, since 1941, used a sealed envelope to reveal the name of the winners.
The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and The Way of All Flesh. He had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier; this made him the first Academy Award winner in history. At that time, the winners were recognized for all of their work done in a certain category during the qualifying period; for example, Jannings received the award for two movies in which he starred during that period, and Janet Gaynor later won a single Oscar for performances in three films. With the fourth ceremony, however, the system changed, and professionals were honored for a specific performance in a single film. For the first six ceremonies, the eligibility period spanned two calendar years.
At the 29th ceremony, held on March 27, 1957, the Best Foreign Language Film category was introduced. Until then, foreign-language films had been honored with the Special Achievement Award.
Since 1973, all Academy Awards ceremonies have ended with the Academy Award for Best Picture.
Traditionally, the previous year's winner for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, while the previous year's winner for Best Actress and Best Supporting Actress present the awards for Best Actor and Best Supporting Actor.
Academy Award of Merit (Oscar statuette)
- See also § Awards of Merit categories
The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette. Made of gold-plated bronze on a black metal base, it is 13.5 in (34.3 cm) tall, weighs 8.5 lb (3.856 kg), and depicts a knight rendered in Art Deco style holding a crusader's sword standing on a reel of film with five spokes. The five spokes represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.
The model for the statuette is said to be Mexican actor Emilio "El Indio" Fernández. Sculptor George Stanley (who also did the Muse Fountain at the Hollywood Bowl) sculpted Cedric Gibbons' design. The statuettes presented at the initial ceremonies were gold-plated solid bronze. Within a few years, the bronze was abandoned in favor of Britannia metal, a pewter-like alloy which is then plated in copper, nickel silver, and finally, 24-karat gold. Due to a metal shortage during World War II, Oscars were made of painted plaster for three years. Following the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones. The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Award's statuettes. From 1983 to 2015, approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer R.S. Owens & Company. It would take between three and four weeks to manufacture 50 statuettes. In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to Walden, New York-based Polich Tallix Fine Art Foundry. While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from 3D-printed ceramic molds and polished, they are then electroplated in 24-karat gold by Brooklyn, New York–based Epner Technology. The time required to produce 50 such statuettes is roughly three months. R.S. Owens is expected to continue producing other awards for the Academy and service existing Oscars that need replating.
The origin of the name Oscar is disputed. The Academy officially adopted the name Oscar for the trophies in 1939.
One biography of Bette Davis, who was a president of the Academy in 1941, claims she named the award after her first husband, band leader Harmon Oscar Nelson. A frequently mentioned originator is Margaret Herrick, the Academy executive secretary, who, when she first saw the award in 1931, said the statuette reminded her of "Uncle Oscar", a nickname for her cousin Oscar Pierce.
Columnist Sidney Skolsky, who was present during Herrick's naming in 1931, wrote that "Employees have affectionately dubbed their famous statuette 'Oscar.'" The Academy credits Skolsky with "the first confirmed newspaper reference" to Oscar in his column on March 16, 1934, which was about that year's 6th Academy Awards. The 1934 awards appeared again in another early media mention of Oscar: a Time magazine story. In the ceremonies that year, Walter Elias Disney thanked the Academy for his "Oscar".
To prevent information identifying the Oscar winners from leaking ahead of the ceremony, Oscar statuettes presented at the ceremony have blank baseplates. Until 2010, winners returned their statuettes to the Academy, and had to wait several weeks to have their names inscribed on their respective Oscars. Since 2010, winners have had the option of having engraved nameplates applied to their statuettes at an inscription-processing station at the Governor's Ball, a party held immediately after the Oscar ceremony. The R.S. Owens company has engraved nameplates made before the ceremony, bearing the name of every potential winner. The nameplates for the non-winning nominees are later recycled.
Ownership of Oscar statuettes
Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums. In December 2011, Orson Welles' 1941 Oscar for Citizen Kane (Academy Award for Best Original Screenplay) was put up for auction, after his heirs won a 2004 court decision contending that Welles did not sign any agreement to return the statue to the Academy. On December 20, 2011, it sold in an online auction for US$861,542.
In 1992, Harold Russell needed money for his wife's medical expenses. In a controversial decision, he consigned his 1946 Oscar for Best Supporting Actor for The Best Years of Our Lives to Herman Darvick Autograph Auctions, and on August 6, 1992, in New York City, the Oscar sold to a private collector for $60,500. Since he won the award before 1950, he was not required to offer it to the Academy first. Russell defended his decision, saying, "I don't know why anybody would be critical. My wife's health is much more important than sentimental reasons. The movie will be here, even if Oscar isn't." Harold Russell is the only Academy Award-winning actor to ever sell an Oscar.
While the Oscar is owned by the recipient, it is essentially not on the open market. Michael Todd's grandson tried to sell Todd's Oscar statuette to a movie prop collector in 1989, but the Academy won the legal battle by getting a permanent injunction. Although some Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.
Other awards presented by the Academy
- See also § Special categories (below).
In addition to the Academy Award of Merit (Oscar award), there are nine honorary (non-competitive) awards presented by the Academy from time to time (except for the Academy Honorary Award, the Technical Achievement Award, and the Student Academy Awards, which are presented annually):
- Governors Awards:
- The Academy Scientific and Technical Awards:
- Academy Award of Merit (non-competitive) (in the form of an Oscar statuette);
- Scientific and Engineering Award (in the form of a bronze tablet);
- Technical Achievement Award (annual) (in the form of a certificate);
- The John A. Bonner Medal of Commendation (since 1978) (in the form of a medal);
- The Gordon E. Sawyer Award (since 1982); and
- The Academy Student Academy Awards (annual).
The Academy also awards Nicholl Fellowships in Screenwriting.
Since 2004, Academy Award nomination results have been announced to the public in mid-January. Prior to that, the results were announced in early February.
Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy's composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) for the past 83 annual awards ceremonies. The firm mails the ballots of eligible nominees to members of the Academy in December to reflect the previous eligible year with a due date sometime in January of the next year, then tabulates the votes in a process that takes thousands of hours.
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contributions to the field of motion pictures.
New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then.
In 2012, the results of a study conducted by the Los Angeles Times were published describing the demographic breakdown of approximately 88% of AMPAS' voting membership. Of the 5,100+ active voters confirmed, 94% were Caucasian, 77% were male, and 54% were found to be over the age of 60. 33% of voting members are former nominees (14%) and winners (19%).
In May 2011, the Academy sent a letter advising its 6,000 or so voting members that an online system for Oscar voting would be implemented in 2013.
According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, and play for seven consecutive days, to qualify (except for the Best Foreign Language Film, Best Documentary Feature, and Best Documentary Short Subject).
The Best Foreign Language Film award does not require a U.S. release. It requires the film to be submitted as its country's official selection.
The Best Documentary Feature award requires either week-long releases in both Los Angeles County and New York City during the previous calendar year, or a qualifying award at a competitive film festival from the Documentary Feature Qualifying Festival list (regardless of any public exhibition or distribution), or a submission in the Foreign Language Film category as its country's official selection.
The Best Documentary Short Subject award has noticeably different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead covering a one-year period starting on September 1 and ending on August 31 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in either Los Angeles County or New York City during the eligibility period. Films also can qualify by winning specified awards at one of a number of competitive film festivals designated by the Academy. Finally, a film that is selected as a gold, silver, or bronze medal winner in the Documentary category of the immediately previous Student Academy Awards is also eligible.
For example, the 2009 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2008 awards, as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2009 awards. Foreign films must include English subtitles, and each country can submit only one film per year.
Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short-subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with a minimum projector resolution of 2048 by 1080 pixels. Effective with the 90th Academy Awards, presented in 2018, multi-part and limited series will be ineligible for the Best Documentary Feature award. This followed the win of O.J.: Made in America, an eight-hour presentation that was screened in a limited release before being broadcast in five parts on ABC and ESPN, in that category in 2017. The Academy's announcement of the new rule made no direct mention of that film.
Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. Then, each form is checked and put in a Reminder List of Eligible Releases.
In late December, ballots and copies of the Reminder List of Eligible Releases are mailed to around 6,000 active members. For most categories, members from each of the branches vote to determine the nominees only in their respective categories (i.e. only directors vote for directors, writers for writers, actors for actors, etc.). In the special case of Best Picture, all voting members are eligible to select the nominees. In all major categories, a variant of the single transferable vote is used, with each member casting a ballot with up to five nominees (ten for Best Picture) ranked preferentially. In certain categories, including Foreign Film, Documentary and Animated Feature, nominees are selected by special screening committees made up of members from all branches.
In most categories, the winner is selected from among the nominees by plurality voting of all members. Since 2009, the Best Picture winner has been chosen by instant runoff voting. Since 2013, re-weighted range voting has been used to select the nominees for the Best Visual Effects.
Film companies will spend as much as several million dollars on marketing to awards voters for a movie in the running for Best Picture, in attempts to improve chances of receiving Oscars and other movie awards conferred in Oscar season. The Academy enforces rules to limit overt campaigning by its members so as to try to eliminate excesses and prevent the process from becoming undignified. It has an awards czar on staff who advises members on allowed practices and levies penalties on offenders. For example, a producer of the 2009 Best Picture nominee The Hurt Locker was disqualified as a producer in the category when he contacted associates urging them to vote for his film and not another that was seen as the front-runner (The Hurt Locker eventually won).
The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men, although fashion may dictate not wearing a bow-tie, and musical performers sometimes do not adhere to this. (The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast.)
The Academy Awards is the world's longest running awards show televised live in all U.S. time zones (excluding territories outside mainland North America), Canada, and the United Kingdom, and gathers billions of viewers elsewhere throughout the world. The Oscars were first televised in 1953 by NBC, which continued to broadcast the event until 1960, when ABC took over, televising the festivities (including the first color broadcast of the event in 1966) through 1970. NBC regained the rights for five years (1971–75), then ABC resumed broadcast duties in 1976 and its current contract with the Academy runs through 2028. The Academy has also produced condensed versions of the ceremony for broadcast in international markets (especially those outside of the Americas) in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. A decade later, the rights were already being sold to 60 countries, and by 1984, the TV rights to the Awards were licensed in 76 countries.
The ceremonies were moved up from late March/early April to late February, since 2004, to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing TV ratings success coinciding with the NCAA Basketball Tournament, which would cut into the Academy Awards audience. (In 1976 and 1977, ABC's regained Oscars were moved from Tuesday to Monday and went directly opposite NBC's NCAA title game.) The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period. Some years, the ceremony is moved into first Sunday of March in order to avoid clash with the Winter Olympic Games. Another reason for the move to late February and early March is also to avoid the awards ceremony occurring so close to the religious holidays of Passover and Easter, which for decades had been a grievance from members and the general public. Advertising is somewhat restricted, however, as traditionally no movie studios or competitors of official Academy Award sponsors may advertise during the telecast. The production of the Academy Awards telecast currently holds the distinction of winning the most Emmys in history, with 47 wins and 195 nominations overall since that award's own launch in 1949.
After many years of being held on Mondays at 9:00 pm Eastern/6:00 p.m Pacific, since the 1999 ceremonies, it was moved to Sundays at 8:30 pm ET/5:30 pm PT. The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and an earlier start time would allow viewers on the East Coast to go to bed earlier. For many years the film industry opposed a Sunday broadcast because it would cut into the weekend box office. In 2010, the Academy contemplated moving the ceremony even further back into January, citing TV viewers' fatigue with the film industry's long awards season. However, such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers (as opposed to traditionally receiving the films and ballots in the mail). Furthermore, a January ceremony on Sunday would clash with National Football League playoff games. In 2018, the Academy announced that the ceremony would be moved from late February to mid February beginning with the 92nd Academy Awards in 2020.
Originally scheduled for April 8, 1968, the 40th Academy Awards ceremony was postponed for two days, because of the assassination of Dr. Martin Luther King, Jr.. On March 30, 1981, the 53rd Academy Awards was postponed for one day, after the shooting of President Ronald Reagan and others in Washington, D.C.
In 1993, an In Memoriam segment was introduced, honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members. This segment has drawn criticism over the years for the omission of some names. Criticism was also levied for many years regarding another aspect, with the segment having a "popularity contest" feel as the audience varied their applause to those who had died by the subject's cultural impact; the applause has since been muted during the telecast, and the audience is discouraged from clapping during the segment and giving silent reflection instead.
In terms of broadcast length, the ceremony generally averages three and a half hours. The first Oscars, in 1929, lasted 15 minutes. At the other end of the spectrum, the 2002 ceremony lasted four hours and twenty-three minutes. In 2010, the organizers of the Academy Awards announced winners' acceptance speeches must not run past 45 seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show" – overly long and embarrassing displays of emotion. In 2016, in a further effort to streamline speeches, winners' dedications were displayed on an on-screen ticker. During the 2018 ceremony, host Jimmy Kimmel acknowledged how long the ceremony had become, by announcing that he would give a brand-new jet ski to whoever gave the shortest speech of the night (a reward won by Mark Bridges when accepting his Best Costume Design award for Phantom Thread). The Wall Street Journal analyzed the average minutes spent across the 2014–2018 telecasts as follows: 14 on song performances; 25 on the hosts' speeches; 38 on prerecorded clips; and 78 on the awards themselves, broken into 24 on the introduction and announcement, 24 on winners walking to the stage, and 30 on their acceptance speeches.
Although still dominant in ratings, the viewership of the Academy Awards have steadily dropped; the 88th Academy Awards were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, Variety reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions. In August 2016, AMPAS extended its contract with ABC through 2028: the contract neither contains any notable changes, nor gives ABC any further creative control over the telecast.
Historically, the "Oscarcast" has pulled in a bigger haul when box-office hits are favored to win the Best Picture trophy. More than 57.25 million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of Titanic, which generated close to US$500 million at the North American box office and 1.2 billion dollars worldwide pre-Oscars, with the final box office haul during its initial 1997–98 run being 600.8 million US$ in the US and 1.84 billion US$ worldwide, both sky-high box office records back then (they were only supassed 12 years later in 2010). The 76th Academy Awards ceremony, in which The Lord of the Rings: The Return of the King (pre-telecast box office earnings of US$368 million) received 11 Awards including Best Picture, drew 43.56 million viewers. The most watched ceremony based on Nielsen ratings to date, however, was the 42nd Academy Awards (Best Picture Midnight Cowboy) which drew a 43.4% household rating on April 7, 1970.
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings. The 78th Academy Awards which awarded low-budgeted, independent film Crash (with a pre-Oscar gross of US$53.4 million) generated an audience of 38.64 million with a household rating of 22.91%. In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest rated and least watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards. The Best Picture winner of that particular ceremony was another independently financed film (No Country for Old Men).
In 1929, the first Academy Awards were presented at a banquet dinner at the Hollywood Roosevelt Hotel. From 1930 to 1943, the ceremony alternated between two venues: the Ambassador Hotel on Wilshire Boulevard and the Biltmore Hotel in downtown Los Angeles.
Grauman's Chinese Theatre in Hollywood then hosted the awards from 1944 to 1946, followed by the Shrine Auditorium in Los Angeles from 1947 to 1948. The 21st Academy Awards in 1949 were held at the Academy Award Theatre at what was the Academy's headquarters on Melrose Avenue in Hollywood.
From 1950 to 1960, the awards were presented at Hollywood's Pantages Theatre. With the advent of television, the awards from 1953 to 1957 took place simultaneously in Hollywood and New York, first at the NBC International Theatre (1953) and then at the NBC Century Theatre, after which the ceremony took place solely in Los Angeles. The Oscars moved to the Santa Monica Civic Auditorium in Santa Monica, California in 1961. By 1969, the Academy decided to move the ceremonies back to Downtown Los Angeles, this time to the Dorothy Chandler Pavilion at the Los Angeles County Music Center. In the late 1990s and early 2000s, the ceremony returned to the Shrine.
Awards of Merit categories
- Best Picture: since 1927/28
- Best Director: since 1927/28
- Best Actor: since 1927/28
- Best Actress: since 1927/28
- Best Supporting Actor: since 1936
- Best Supporting Actress: since 1936
- Best Animated Feature Film: since 2001
- Best Animated Short Film: since 1930/31
- Best Cinematography: since 1927/28
- Best Costume Design: since 1948
- Best Documentary Feature: since 1943
- Best Documentary Short Subject: since 1941
- Best Film Editing: since 1934
- Best International Feature Film: since 1947
- Best Live Action Short Film: since 1931/32
- Best Makeup and Hairstyling: since 1981
- Best Original Score: since 1934
- Best Original Song: since 1934
- Best Production Design: since 1927/28
- Best Sound Editing: since 1963
- Best Sound Mixing: since 1929/30
- Best Visual Effects: since 1939
- Best Adapted Screenplay: since 1927/28
- Best Original Screenplay: since 1940
In the first year of the awards, the Best Directing award was split into two categories (Drama and Comedy). At times, the Best Original Score award has also been split into separate categories (Drama and Comedy/Musical). From the 1930s through the 1960s, the Art Direction (now Production Design), Cinematography, and Costume Design awards were likewise split into two categories (black-and-white films and color films). Prior to 2012, the Production Design award was called Art Direction, while the Makeup and Hairstyling award was called Makeup.
In August 2018, the Academy announced that several categories would not be televised live, but rather be recorded during commercial breaks and aired later in the ceremony. Following dissent from Academy members, they announced that they would indeed air all 24 categories live. This followed a number of proposals (including introducing a Popular Film category) that the Academy had announced but did not implement.
- Best Assistant Director: 1932/33 to 1937
- Best Director, Comedy Picture: 1927/28
- Best Director, Dramatic Picture: 1927/28
- Best Dance Direction: 1935 to 1937
- Best Engineering Effects: 1927/28
- Best Original Musical or Comedy Score: 1995 to 1998
- Best Original Musical: 1984
- Best Original Story: 1927/28 to 1956
- Best Short Subject – 1 Reel: 1936 to 1956
- Best Short Subject – 2 Reel: 1936 to 1956
- Best Short Subject – Color: 1936 to 1937
- Best Short Subject – Comedy: 1931/32 to 1935
- Best Short Subject – Novelty: 1931/32 to 1935
- Academy Award for Best Title Writing: 1927/28
- Academy Award for Best Unique and Artistic Production: 1927/28
The Board of Governors meets each year and considers new award categories. To date, the following categories have been proposed:
- Best Casting: rejected in 1999
- Best Popular Film: proposed in 2018 for presentation at the 2019 ceremony; postponed until the 2020 ceremony at the earliest
- Best Stunt Coordination: rejected every year from 1991 to 2012
- Best Title Design: rejected in 1999
The Special Academy Awards are voted on by special committees, rather than by the Academy membership as a whole. They are not always presented on a consistent annual basis.
Current special categories
- For a list of all nine awards, see § Other awards presented by the Academy (above)
- Academy Honorary Award: since 1929
- Academy Scientific and Technical Award (three different awards): since 1931
- Gordon E. Sawyer Award: since 1981
- Jean Hersholt Humanitarian Award: since 1957
- Irving G. Thalberg Memorial Award: since 1938
- Academy Special Achievement Award: from 1972 to 1995, and again for 2017
Discontinued special categories
- Academy Juvenile Award: 1934 to 1960
Accusations of commercialism
Due to the positive exposure and prestige of the Academy Awards, many studios spend millions of dollars and hire publicists specifically to promote their films during what is typically called the "Oscar season". This has generated accusations of the Academy Awards being influenced more by marketing than quality. William Friedkin, an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".
Unfortunately, the critical worth, artistic vision, cultural influence and innovative qualities of many films are not given the same voting weight. Especially since the 1980s, moneymaking "formula-made" blockbusters with glossy production values have often been crowd-pleasing titans (and Best Picture winners), but they haven't necessarily been great films with depth or critical acclaim by any measure.
A recent technique that has been claimed to be used during the Oscar season is the Whisper campaign. These campaigns are intended to spread negative perceptions of other movies nominated and are believed to be perpetrated by those that were involved in creating the movie. Examples of whisper campaigns include the allegations against Zero Dark Thirty suggesting that it justifies torture and the claim that Lincoln distorts history.
Accusations of bias
Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of movies to be awarded. This has led to the coining of the term 'Oscar bait', describing such movies. This has led at times to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring 'Oscar bait' over audience favorites, or favoring historical melodramas over critically acclaimed movies that depict current life issues.
Allegations of a lack of diversity
The Academy Awards have long received criticism over its lack of diversity among the nominees. This criticism is based on the statistics from every Academy Awards since 1929, which shows us that only 6.4% of academy award nominees have been non-white and since 1991, 11.2% of nominees have been non-white, with the rate of winners being even more polarizing. More white actresses have won Oscars for yellowface portrayals of Asian characters than actual Asian actresses. The 88th awards ceremony became the target of a boycott, popularized on social media by the #OscarsSoWhite, based on critics' perception that its all-white acting nominee list reflected bias. In response, the Academy initiated "historic" changes in membership by the year 2020.
Symbolism or sentimentalization
Acting prizes in certain years have been criticized for not recognizing superior performances so much as being awarded for personal popularity, to make up for a "snub" for a performance/work that proved in time to be more popular and/or renowned than the one actually awarded, or presented as a "career honor" to recognize a distinguished nominee's entire body of work.
Recognition of streaming media film
Following the 91st Academy Awards in February 2019 in which the Netflix-broadcast film Roma had been nominated for ten awards including the Best Picture category, Steven Spielberg and other members of the Academy discussed changing the requirements through the Board of Governors for films as to exclude those from Netflix and other media streaming services. Spielberg had been concerned that Netflix as a movie production and distribution studio could spend much more than typical Oscar-winning films and have much wider and earlier distribution than other Best Picture-nominated films, while still being able to meet the minimal theatrical-run status to qualify for an Oscar. The United States Department of Justice, having heard of this potential rule change, wrote a letter to the Academy in March 2019, cautioning them that placing additional restrictions on films that originate from streaming media services without proper justification could raise anti-trust concerns against the Academy. Following its April 2019 board meeting, the Academy Board of Governors agreed to retain the current rules that allow for streaming media films to be eligible for Oscars as long as they enjoy limited theatrical runs.
Refusing the award
Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter Dudley Nichols (Best Writing in 1935 for The Informer). Nichols boycotted the 8th Academy Awards ceremony because of conflicts between the Academy and the Writers' Guild. Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career.
George C. Scott became the second person to refuse his award (Best Actor in 1970 for Patton) at the 43rd Academy Awards ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it."
The third person to refuse the award was Marlon Brando, who refused his award (Best Actor for 1972's The Godfather), citing the film industry's discrimination and mistreatment of Native Americans. At the 45th Academy Awards ceremony, Brando sent actress and civil rights activist Sacheen Littlefeather to read a 15-page speech, detailing his criticisms, which was booed by the audience.
At the 89th Academy Awards ceremony, Warren Beatty and Faye Dunaway mistakenly announced La La Land as the recipient of the Best Picture award, instead of Moonlight, the actual winner. Beatty had been given the wrong envelope and after hesitating during the announcement, handed the envelope to Dunaway, which listed Emma Stone as Best Actress for La La Land and led to the confusion. The proper winner was announced after the acceptance speeches by La La Land producers Fred Berger, Jordan Horowitz and Marc Platt.
- Up to now, no movies have been disqualified for plagiarism.
- Zootopia: On March 21, 2017, a copyright infringement lawsuit was filed against Disney by Esplanade Productions, a company owned by Gary L. Goldman, the co-screenwriter of Total Recall. The lawsuit claims that Goldman (in 2000 and 2009) pitched a concept to Disney for a live-action film titled Looney, which was about a socially awkward animator who creates a self-inspired TV cartoon called Zootopia. Disney twice rejected the pitch, but Goldman accused the company of copying the name, themes, settings and character tropes. Filed with the lawsuit was a graphic of early concept artwork of characters that are claimed to appear similar to major characters from the film, including Nick Wilde, Judy Hopps, Flash and Chief Bogo. A Disney spokesperson described the lawsuit as being "ridden with patently false allegations." U.S. District Judge Michael W. Fitzgerald dismissed the infringement claims on November 8, 2017.
- The Shape of Water: In February 2018, the estate of Paul Zindel initiated a lawsuit in United States District Court for the Central District of California against director Guillermo del Toro and associate producer Daniel Kraus, alleging that The Shape of Water "brazenly copies the story, elements, characters, and themes" of Zindel's 1969 work Let Me Hear You Whisper, which depicts a cleaning lady bonding with a dolphin and attempting to rescue it from a secret research laboratory's nefarious uses. In July 2018, Judge Percy Anderson dismissed the suit.
Seven films have been disqualified before an official award ceremony because they violated the regulations.
- The Circus (1928) – The film was removed by the Academy from competitive categories, in order to award Charlie Chaplin a special award.
- Hondo (1953)
- High Society (1955) – Withdrawn from screenwriting ballot after being mistaken for the 1956 movie of the same title.
- The Godfather (1972) – Initially nominated for eleven awards, its nomination for Best Original Score was revoked after it was discovered that its main theme was very similar to music that the score's composer had written for an earlier film. None of its other nominations were revoked, and it received three Oscars, including Best Picture.
- A Place in the World
- Tuba Atlantic
- Alone yet Not Alone
One film was disqualified after winning the award, and had the winner return the Oscar.
- Young Americans (1969)
The following events are closely associated with the annual Academy Awards:
- César Awards
- Nominees luncheon
- Governors Awards
- The 25th Independent Spirit Awards (2010), usually held in Santa Monica, California the Saturday before the Oscars, marked the first time it was moved to a Friday and a change of venue to L.A. Live
- The annual "Night Before", traditionally held at the Beverly Hills Hotel, begun in 2002 and generally known as the party of the season, benefits the Motion Picture & Television Fund, which operates a retirement home for SAG actors in the San Fernando Valley
- Elton John AIDS Foundation Academy Award Party airs the awards live at the nearby Pacific Design Center
- The Governors Ball is the Academy's official after-party, including dinner (until 2011), and is adjacent to the awards-presentation venue
- The Vanity Fair after-party, historically at the former Morton's restaurant, has been at the Sunset Tower since 2009
Presenter and performer gifts
It has become a tradition to give out gift bags to the presenters and performers at the Oscars. In recent years, these gifts have also been extended to award nominees and winners. The value of each of these gift bags can reach into the tens of thousands of dollars. In 2014, the value was reported to be as high as US$80,000. The value has risen to the point where the U.S. Internal Revenue Service issued a statement regarding the gifts and their taxable status. Oscar gift bags have included vacation packages to Hawaii and Mexico and Japan, a private dinner party for the recipient and friends at a restaurant, videophones, a four-night stay at a hotel, watches, bracelets, spa treatments, bottles of vodka, maple salad dressing and weight-loss gummie candy. Some of the gifts have even had a "risque" element to them; in 2014, the adult products retailer Adam & Eve had a "Secret Room Gifting Suite". Celebrities visiting the gifting suite included Judith Hoag, Carolyn Hennesy, Kate Linder, Chris Mulkey, Jim O'Heir, and NBA player John Salley.
Television ratings and advertisement prices
From 2006 onwards, results are Live+SD; all previous years are live viewing.
|2019||29.6||Not available||Not available|
|2018||26.5||Not available||Not available|
|2017||32.9||Not available||Not available|
|2016||34.3||Not available||Not available|
|2014||43.740||1.8 – 1.9||1.91 – 2.01|
|2013||40.376||1.65 – 1.8||1.77 – 1.94|
|1992||44.406||Not available||Not available|
|1991||42.727||Not available||Not available|
|1982||46.245||Not available||Not available|
|1981||39.919||Not available||Not available|
|1980||48.978||Not available||Not available|
|1979||46.301||Not available||Not available|
|1978||48.501||Not available||Not available|
|1977||39.719||Not available||Not available|
|1976||46.751||Not available||Not available|
|1975||48.127||Not available||Not available|
|1974||44.712||Not available||Not available|
This section needs expansion. You can help by adding to it. (February 2016)
- List of film awards
- List of Academy Award records
- List of superlative Academy Award winners and nominees
- List of actors with Academy Award nominations
- "AMPAS Drops '85th Academy Awards' – Now It's Just 'The Oscars'". TheWrap. February 19, 2013. Archived from the original on August 3, 2016. Retrieved April 9, 2017.
- Nichols, Chris (February 25, 2016). "Meet George Stanley, Sculptor of the Academy Award". Los Angeles Magazine. Archived from the original on November 7, 2017. Retrieved November 6, 2017.
- "About the Academy Awards". Academy of Motion Picture Arts and Sciences. Archived from the original on April 7, 2007. Retrieved April 13, 2007.
- Essex, Andrew (May 14, 1999). "The Birth of Oscar". Entertainment Weekly. Archived from the original on November 11, 2013. Retrieved March 2, 2011.
- "History of the Academy Awards". Academy of Motion Picture Arts and Sciences. Archived from the original on July 6, 2010.
- "The Oscars – Feb 24th 2013". platinumagencygroup.co.uk. Archived from the original on December 23, 2014. Retrieved December 2, 2014.
- "Oscar Statuette". Academy of Motion Picture Arts and Sciences. Archived from the original on March 1, 2017. Retrieved February 27, 2017.
- Foussianes, Chloe (February 23, 2019). "Why There Isn't a Host for the Academy Awards Ceremony This Year". Town & Country. Archived from the original on March 26, 2019. Retrieved March 26, 2019.
- "Disney hoping to win first Oscar for Best Animated Feature". New York Post. February 28, 2014. Archived from the original on April 19, 2018. Retrieved April 18, 2018.
- "Oscar Statuette: Legacy". Academy of Motion Picture Arts and Sciences. Archived from the original on December 11, 2013. Retrieved April 13, 2007.
- Alvarez, Alex (February 22, 2013). "Meet the Mexican Model Behind the Oscar Statue". abcnews.go.com. ABC News. Archived from the original on March 3, 2016. Retrieved February 27, 2016.
- "Oscar Statuette: Manufacturing, Shipping and Repairs". Academy of Motion Picture Arts and Sciences. Archived from the original on September 27, 2007. Retrieved April 13, 2007.
- "Eladio Gonzalez sands and buffs Oscar #3453". Boston Globe. February 20, 2009. Archived from the original on February 23, 2009. Retrieved February 21, 2009.
- Babwin, Don (January 27, 2009). "Oscar 3453 is 'born' in Chicago factory". Associated Press. Archived from the original on March 10, 2014. (Lodi News-Sentinel Archived September 12, 2015, at the Wayback Machine)
- Kojen, Natalie (February 16, 2016). "The Academy and Polich Tallix Fine Art Foundry Revive the Art of Oscar Statuettes". Academy of Motion Picture Arts and Sciences. Archived from the original on February 18, 2016.
- Loviza, Amanda. "Foundry seeks tax breaks in move to Walden". recordonline.com. Archived from the original on January 5, 2019. Retrieved January 5, 2019.
- Kilday, Gregg (February 16, 2016). "Oscar Statuette Gets a Face-Lift – This year's statuettes will be produced by Polich Tallix Fine Art Foundry and will be hand-cast in bronze before receiving their 24-karat gold finish". The Hollywood Reporter. Archived from the original on May 5, 2016. Retrieved February 18, 2016.
- Di Nunzio, Miriam (February 16, 2016). "Oscar statuettes, longtime creation of Chicago-based company, will now be made in New York". Chicago Sun-Times. Archived from the original on March 8, 2016.
- Hiskey, Daven. "Why Are the Academy Awards Statuettes Called Oscars?". Mental Floss. Archived from the original on February 25, 2019. Retrieved February 25, 2019.
- "Bette Davis biography". The Internet Movie Database. Archived from the original on March 8, 2007. Retrieved April 13, 2007.
- "Oscar" in the Oxford English Dictionary, June 2008 Draft Revision.
- Levy, Emanuel (2003). All About Oscar: The History and Politics of the Academy Awards. Burns & Oates. ISBN 978-0-8264-1452-6.
- "The 6th Academy Awards Memorable Moments". Academy of Motion Picture Arts and Sciences. Archived from the original on February 26, 2019. Retrieved February 25, 2019.
- "Cinema: Oscars". Time. March 26, 1934. Archived from the original on August 13, 2013.(subscription required)
- Fanning, Jim (March 5, 2010). "Oscar®-Winning Walt". d23.com. Archived from the original on July 5, 2019.
- Kilday, Greg (February 9, 2010), "Oscar statues to include engraved names", The Hollywood Reporter, archived from the original on April 12, 2015
- Daly, Steve (February 28, 2014), Governors Ball Secrets: Welcome to the 'Engraving Station,' Where Oscar Statuettes Get Personalized, Parade Magazine, archived from the original on February 27, 2015
- (Levy 2003, pg 28)
- Duke, Alan (December 12, 2011). "Orson Welles' 'Citizen Kane' Oscar for sale". CNN. Archived from the original on November 12, 2013. Retrieved December 12, 2011.
- Duke, Alan (December 21, 2011). "Orson Welles' 'Citizen Kane' Oscar brings $861,000". CNN. Archived from the original on January 16, 2014. Retrieved April 7, 2013.
- Rothman, Heathcliff (February 12, 2006). "I'd Really Like to Thank My Pal at the Auction House". The New York Times. ISSN 0362-4331. Archived from the original on September 21, 2017. Retrieved September 20, 2017.
- Rose, Lacey (February 28, 2005). "Psst! Wanna Buy An Oscar?". Forbes. Archived from the original on November 11, 2013. Retrieved April 13, 2007.
- (Levy 2003, pg 29)
- "How Many Women Are Actually Voting For The Oscar Winners?". Archived from the original on April 17, 2018. Retrieved April 18, 2018.
- Hutchinson, Sean (January 24, 2017). "How Are Oscar Nominees Chosen?". Mental Floss. Archived from the original on July 22, 2018.
- Finlay, Jackie (March 3, 2006). "The men who are counting on Oscar". BBC News. Archived from the original on March 19, 2007. Retrieved April 13, 2007.
- Meet the only two people in the world who already know all the Oscar winners | Market Watch Archived February 27, 2017, at the Wayback Machine
- "Academy Invites 115 to Become Members". Academy of Motion Picture Arts and Sciences. Archived from the original on August 27, 2007. Retrieved September 4, 2007.
- Horn, John (February 19, 2012). "Unmasking the Academy". The Los Angeles Times. Archived from the original on March 7, 2014. Retrieved October 15, 2013.
- Cieply, Michael (May 23, 2011). "Electronic Voting Comes to The Oscars (Finally)". The New York Times. Archived from the original on January 5, 2014.
- "Rule Two: Eligibility". Academy of Motion Picture Arts and Sciences. Archived from the original on November 10, 2013. Retrieved April 13, 2007.
- "Oscars Submission FAQ". Archived from the original on April 1, 2015. Retrieved March 16, 2015.
- "91st Academy Awards – Special Rules for the Documentary Awards" (PDF). Oscars.org. Archived (PDF) from the original on August 2, 2018.
- "Documentary Feature" (PDF). 90th Academy Awards: Special Rules for the Documentary Awards. Academy of Motion Picture Arts and Sciences. Archived (PDF) from the original on April 26, 2017. Retrieved April 26, 2017.
- "The Academy and its Oscar Awards – Reminder List of Eligible Releases". Archived from the original on November 11, 2013.
- "Academy Award Rules" (PDF). Archived from the original (PDF) on October 21, 2014. Retrieved March 17, 2015.
- McNary, Dave (April 7, 2017). "Oscars: New Rules Bar Multi-Part Documentaries Like 'O.J.: Made in America'". Variety. Archived from the original on April 15, 2017. Retrieved May 30, 2017.
- Pond, Steve (January 7, 2006). "Eight things every voter (and fan) should know about Oscar's decidedly unique nomination process". Los Angeles Times. Archived from the original on October 17, 2006. Retrieved January 27, 2007.
- Young, John (January 27, 2011). "Oscars: The wacky way the Academy counts votes, and the results of our 'If You Were an Oscar Voter' poll". Entertainment Weekly. Archived from the original on May 6, 2016. Retrieved February 29, 2016.
- "Preferential Voting Extended to Best Picture on Final Ballot for 2009 Oscars". Academy of Motion Picture Arts and Sciences (Press release). August 31, 2009. Archived from the original on October 10, 2009. Retrieved February 29, 2016.
- VanDerWerff, Todd on (February 22, 2015). "The Oscars' messed-up voting process, explained". Vox. Archived from the original on February 25, 2016. Retrieved February 29, 2016.
- "89TH ANNUAL ACADEMY AWARDS OF MERIT" (PDF). 2016. RULE TWENTY-TWO SPECIAL RULES FOR THE VISUAL EFFECTS AWARD. Archived (PDF) from the original on February 2, 2017.
Five productions shall be selected using reweighted range voting to become the nominations for final voting for the Visual Effects award.
- "RangeVoting.org – Reweighted Range Voting – a PR voting method that feels like range voting". rangevoting.org. Archived from the original on January 16, 2017. Retrieved January 13, 2017.
- Marich, Robert (2013). Marketing to Moviegoers: A Handbook of Strategies and Tactics (3rd ed.). Southern Illinois University Press. pp. 235–48.
- "ABC Signs Expansive New Agreement to Broadcast The Oscars®, Hollywood's Biggest Entertainment Ceremony, Through 2028". Academy of Motion Picture Arts and Sciences. August 31, 2016. Archived from the original on February 2, 2017.
- O'Neil, Tom (July 12, 2010). "Emmys love for Oscars continues with 12 nominations". Los Angeles Times. Archived from the original on August 19, 2010. Retrieved August 13, 2010.
- Carter, Bill (April 8, 1998). "TV Notes; Moving Oscar Night". The New York Times. Archived from the original on March 4, 2014. Retrieved March 8, 2010.
- Academy Awards will move to Sunday night Archived July 13, 2015, at the Wayback Machine Reading Eagle – July 1, 1998; From Google News Archive
- Never Say Never: Academy Awards move to Sunday Archived July 13, 2015, at the Wayback Machine The Item – March 19, 1999. Google News Archive.
- Horn, John (October 5, 2010). "Academy looks to move 2012 Oscar ceremony up several weeks". Los Angeles Times. Archived from the original on March 8, 2014. Retrieved February 28, 2011.
- "Academy Determines New Oscars Category Merits Further Study". Oscars.org. September 5, 2018. Archived from the original on January 14, 2019. Retrieved January 15, 2019.
The Board of Governors also voted to move up the date of the 92nd Oscars telecast to Sunday, February 9, 2020, from the previously announced February 23
- Child, Ben (March 10, 2010). "Farrah Fawcett:Oscars director apologises for 'In Memoriam' omission". The Guardian. London. Archived from the original on April 14, 2010. Retrieved March 8, 2010.
- Cohen, Sandy (March 3, 2010). "Oscar's 'In Memoriam' segment is touching to watch, painful to make". USA Today. Associated Press. Archived from the original on March 6, 2010. Retrieved March 8, 2010.
- Ehbar, Ned (February 28, 2014). "Did you know?" Metro. New York City. p. 18.
- "Halle Berry, Denzel Washington Win Big". Fox News. 21st Century Fox. March 25, 2002. Archived from the original on May 14, 2012. Retrieved March 4, 2017.
- Jones, Sam (February 16, 2010). "Cut ... all change at Oscars as winners are given just 45 seconds to say thanks". The Guardian. London. Archived from the original on January 28, 2011.
- "Can the 'thank-you scroll' save Oscar speeches?". USA Today. Archived from the original on February 28, 2016. Retrieved February 29, 2016.
- "This Costume Designer Won Jimmy Kimmel's Jet Ski at the Oscars". Time. Archived from the original on March 5, 2018. Retrieved March 5, 2018.
- Bellini, Jason (February 21, 2019). "The Oscars Are Famously Long — Where Does the Time Go?" (Video). Wall Street Journal. Archived from the original on February 22, 2019. Retrieved February 22, 2019.
- "ABC's Oscar Contract Renegotiations: Who'll Get Creative Control?". Variety. Archived from the original on March 2, 2016. Retrieved March 2, 2016.
- "Inside the Oscars Deal: What it Means for ABC and the Academy". Variety. Archived from the original on September 1, 2016. Retrieved September 2, 2016.
- James, Meg (February 23, 2008). "Academy's red carpet big stage for advertisers". The Seattle Times. Archived from the original on November 17, 2011.
- Bowles, Scott (January 26, 2005). "Oscars lack blockbuster to lure TV viewers". USA Today. Archived from the original on September 15, 2006. Retrieved November 8, 2006.
- Oppelaar, Justin (October 9, 2002). "Charts and Data: Top 100 TV Shows of All Time by ''Variety''". Variety.com. Archived from the original on January 18, 2012. Retrieved February 26, 2014.
- Levin, Gary (March 7, 2006). "Low Ratings Crash Party". USA Today. Archived from the original on June 11, 2010. Retrieved April 14, 2010.
- "Oscar ratings worst ever". The Washington Post. Archived from the original on March 30, 2014.
- "Oscars Award Venues". Academy of Motion Picture Arts and Sciences. Archived from the original on December 12, 2006. Retrieved April 13, 2007.
- "Oscars' home renamed Dolby Theatre". CBS News. Archived from the original on May 2, 2012. Retrieved May 1, 2012.
- Coyle, Jake (April 24, 2019). "Oscars amend a few rules but not for Netflix". Washington Post. Archived from the original on April 24, 2019. Retrieved April 24, 2019.
- "Oscars Won't Televise All Awards, Adds Popular Film Category". The Hollywood Reporter. Archived from the original on November 3, 2016. Retrieved August 8, 2018.
- "Academy Reverses Decision, Will Air All Awards at the 2019 Oscars". Time. Archived from the original on February 17, 2019. Retrieved February 16, 2019.
- Conradt, Stacy. "The Quick 10: 10 Bygone (or rejected) Academy Awards Categories". Mental Floss. Archived from the original on December 8, 2017. Retrieved July 3, 2017.
- Kilday, Gregg (September 6, 2018). "Academy Postponing New Popular Oscar Category". The Hollywood Reporter. Archived from the original on November 3, 2016. Retrieved September 9, 2018.
- "It's Time to Create an Oscar For Stunt Coordinators". Film School Rejects. April 1, 2012. Archived from the original on November 4, 2013.
- "Jack Gill Interview". Action Fest. April 4, 2012. Archived from the original on April 28, 2013.
- Handel, Jonathan (June 15, 2011). "Academy Votes Against Creating Oscar Category for Stunt Coordinators". The Hollywood Reporter. Archived from the original on October 26, 2013.
- Hiltzik, Michael (August 4, 2005). "One stunt they've been unable to pull off". Los Angeles Times. Archived from the original on September 22, 2013. Retrieved April 13, 2007.
- Friedkin, William (Director) (February 24, 2009). Director William Friedkin at the Hudson Union Society. Archived from the original on March 10, 2009. Retrieved March 11, 2009.
- "Academy Awards – The Oscars". Archived from the original on January 20, 2014. Retrieved October 4, 2009.
- Kilday, Gregg (December 20, 2012). "Oscar's Dirty Tricks: Inside the Whisper Campaign Machine (Analysis)". The Hollywood Reporter. Archived from the original on March 6, 2019. Retrieved March 2, 2019.
- Smith, Kyle. "Have the Oscars jumped the shark?". New York Post. Archived from the original on April 18, 2012. Retrieved January 24, 2012.
- "In Hollywood, diversity tends to ignore the disabled". Archived from the original on April 26, 2017. Retrieved April 25, 2017.
- "Oscars diversity debate must include learning disability". The Guardian. February 24, 2017.
- "Oscars 2016: Lack of Diversity Has Historically Been a Problem". Archived from the original on April 26, 2017. Retrieved April 25, 2017.
- Berman, Eliza. "This Chart Proves the Oscars Have a Serious Diversity Problem". labs.time.com. Archived from the original on April 30, 2018. Retrieved April 25, 2018.
- "Casting White People in Asian Roles Goes Back Centuries". Archived from the original on January 19, 2019. Retrieved May 22, 2019.
- 11 Times The Oscars Honored White Actors For Playing People Of Color
- Sims, David (January 19, 2016). "Can a Boycott Change the Oscars?". The Atlantic. Archived from the original on February 26, 2016. Retrieved February 29, 2016.
- Kreps, Daniel (January 23, 2016). "Academy Promises 'Historic' Changes to Diversify Membership". Rolling Stone. Archived from the original on February 26, 2016. Retrieved February 29, 2016.
- "What's the worst Best Actor choice of all time?". Archived from the original on January 15, 2010. Retrieved October 4, 2009.
- Levy, Emanuel (2003). All about Oscar: the history and politics of the Academy Awards – The Career Oscars. Burns & Oates. ISBN 978-0-8264-1452-6. Retrieved October 4, 2009.
- Thompson, Anna (February 28, 2019). "The Spielberg vs. Netflix Battle Could Mean Collateral Damage for Indies at the Oscars". IndieWire. Archived from the original on March 20, 2019. Retrieved April 24, 2019.
- Johnson, Ted (April 2, 2019). "Justice Department Warns Academy Over Potential Oscar Rule Changes Threatening Netflix". Variety. Archived from the original on April 23, 2019. Retrieved April 24, 2019.
- Respers France, Lisa (April 24, 2019). "Academy doesn't change streaming eligibility for Oscars". CNN. Archived from the original on April 24, 2019. Retrieved April 24, 2019.
- "The Oscars Did You Know?". Archived from the original on June 23, 2009. Retrieved June 18, 2009.
- "George C Scott: The man who refused an Oscar". BBC News. September 23, 1999. Archived from the original on March 11, 2014.
- "Show Business: Meat Parade". Time. March 8, 1971. Archived from the original on December 21, 2008.
- "Fast Facts – Did You Know?". Biography.com. May 16, 1929. Archived from the original on February 10, 2010. Retrieved February 6, 2010.
- Oscars (October 2, 2008), Marlon Brando's Oscar® win for " The Godfather", archived from the original on February 17, 2011, retrieved February 25, 2019
- Kennedy, Maev. "Warren Beatty recalls 'chaos' of Oscars night". Archived from the original on August 1, 2018. Retrieved August 1, 2018.
- Patten, Dominic (March 21, 2017). "Disney Slams "False" 'Zootopia' Big $$ Copyright Suit From 'Total Recall' Scribe". Deadline Hollywood. Archived from the original on March 21, 2017. Retrieved March 21, 2017.
- Valenti, Catherine. "No Oscar? How About a Gift Bag?". ABC News. Archived from the original on April 25, 2014. Retrieved March 11, 2014.
- Peterson, Kim. "Oscars' gift bag has $80,000 worth of swag". CBS News. Archived from the original on March 5, 2014. Retrieved March 11, 2014.
- Staff. "IRS Statement on Oscar Goodie Bags". IRS.gov. Archived from the original on March 11, 2014. Retrieved March 11, 2014.
- Valiente, Alexa. "What Surprising Freebies Are Inside the 2014 Oscar Nominees' Gift Bags". ABC News. Archived from the original on March 11, 2014. Retrieved March 11, 2014.
- Bacardi, Francesca. "Oscar 'Losers' Become Winners with Distinctive Assets Gift Bags". Variety. Archived from the original on March 11, 2014. Retrieved March 11, 2014.
- Staff. "Adam & Eve Had Secret Room Gifting Suite for Oscars' Celebs". Adult Video News. Archived from the original on March 11, 2014. Retrieved March 11, 2014.
- Bibel, Sara (February 24, 2012). "With No Blockbusters Up For Best Picture, Expect 'Academy Awards' Viewership To Fall; Ratings History + Your Guess For This Year (Poll)". TV by the Numbers. Archived from the original on December 10, 2013. Retrieved March 4, 2014.
- "Kantar Media Reports On The Advertising Vitality Of The Academy Awards – Historical Advertising Data Showcases Ad Pricing Trends and Top Marketers; Super Bowl Overlap Increases as Sales Rise". Kantar Media. February 13, 2013. Archived from the original on April 20, 2013. Retrieved February 20, 2017.
- "Sunday Final Ratings: Oscars Adjusted Up". TVbytheNumbers. Archived from the original on October 22, 2015. Retrieved October 27, 2015.
- Ozanian, Mike. "The Oscars Beat The Super Bowl In Advertising Premium". Forbes. Archived from the original on October 14, 2015. Retrieved October 27, 2015.
- Kissell, Rick (March 3, 2014). "Oscars on ABC Draw Largest Audience in 10 Years". Variety. Archived from the original on March 8, 2014. Retrieved March 4, 2014.
- Steinberg, Brian (March 3, 2014). "Oscar Ad Prices Hit All-Time High as ABC Sells Out 2014 Telecast (EXCLUSIVE)". Variety. Archived from the original on April 7, 2014. Retrieved March 4, 2014.
- Bibel, Sara (December 12, 2013). "Tops of 2013: TV and Social Media". TV by the Numbers. Archived from the original on April 25, 2014. Retrieved March 4, 2014.
- Kissell, Rick (February 27, 2012). "Crystal, social media fuel Oscar ratings". Variety. PMC. Retrieved April 26, 2012.
- Court: 'Oscar' may be generic term in Italian – Hollywood Reporter Archived February 17, 2016, at the Wayback Machine
- Court: Oscar may be generic term in Italian | Reuters Archived April 29, 2016, at the Wayback Machine
- Brokaw, Lauren (2010). "Wanna see an Academy Awards invite? We got it along with all the major annual events surrounding the Oscars". Los Angeles: The Daily Truffle.
- Cotte, Oliver (2007). Secrets of Oscar-winning animation: Behind the scenes of 13 classic short animations. Focal Press. ISBN 978-0-240-52070-4.
- Kinn, Gail; Piazza, Jim (2002). The Academy Awards: The Complete History of Oscar. Black Dog & Leventhal Publishers. ISBN 978-1-57912-240-9.
- Levy, Emanuel (2003). All About Oscar: The History and Politics of the Academy Awards. Burns & Oates. ISBN 978-0-8264-1452-6.
- Wright, Jon (2007). The Lunacy of Oscar: The Problems with Hollywood's Biggest Night. Thomas Publishing, Inc.
|Wikimedia Commons has media related to Academy Awards.|