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Herbermann, Charles, ed. (1913). 
Louis Le Vau
Louis Le Vau was a French Classical Baroque architect, who worked for Louis XIV of France. He was born and died in Paris.
Hôtel Lambert
The Hôtel Lambert is a hôtel particulier, a grand mansion townhouse, on the Quai Anjou on the eastern tip of the Île Saint-Louis, in 4th arrondissement of Paris. In the 19th century, the name Hôtel Lambert also came to designate a political faction of Polish exiles associated with Prince Adam Jerzy Czartoryski, who had purchased the Hôtel Lambert.
17th-century French art
17th-century French art is generally referred to as Baroque, but from the mid to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
Jean Goujon
Jean Goujon was a French Renaissance sculptor and architect.
Dominique Perrault
Dominique Perrault is a French architect and urban planner. He became world known for the design of the French National Library, distinguished with the Silver medal for town planning in 1992 and the Mies van der Rohe Prize in 1996. In 2010 he was awarded the gold medal by the French Academy of Architecture for all his work. He was named as the 2015 Praemium Imperiale Laureate for Architecture.
Collège des Quatre-Nations
The Collège des Quatre-Nations, also known as the Collège Mazarin after its founder, was one of the colleges of the historic University of Paris. It was founded through a bequest by the Cardinal Mazarin. At his death in 1661, he also bequeathed his library, the Bibliothèque Mazarine, which he had opened to scholars since 1643, to the Collège des Quatre-Nations.
French Baroque architecture
French Baroque architecture, sometimes called French classicism, was a style of architecture during the reigns of Louis XIII (1610–43), Louis XIV (1643–1715) and Louis XV (1715–74). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by Neo-classicism. The style was originally inspired by the Italian Baroque style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of facades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.
Louvre Palace
The Louvre Palace is a former royal palace located on the Right Bank of the Seine in Paris, between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a fortress built in the medieval period, it became a royal palace in the fourteenth century under Charles V and was used from time to time by the kings of France as their main Paris residence. Its present structure has evolved in stages since the 16th century. In 1793 part of the Louvre became a public museum, now the Musée du Louvre, which has expanded to occupy most of the building.
Académie royale d'architecture
The Académie Royale d'Architecture, founded in 1671, was a French learned society, which had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th.
Gilles Guérin
Gilles Guérin (1611–1678) was a French sculptor, who created tomb sculptures and decorative sculptures for interiors, which were executed in a Baroque idiom. He was born and died in Paris. He was a pupil of the sculptor Nicolas Le Brun, the father of the painter Charles Le Brun.
Antoine Desgodetz
Antoine Babuty Desgodetz's (1653–1728) publication Les edifices antiques de Rome dessinés et mesurés très exactement provided detailed engravings of the monuments and antiquities of Rome to serve French artists and architects. Desgodetz had been sent to Rome in an official capacity, part of French architectural and artistic policy, and the engravings for his publication were supervised by Jean-Baptiste Colbert, according to Desgodetz' introduction. The young architect with a copy of Les edifices antiques de Rome could determine the precise proportions of many Roman structures, such as the portico of the Pantheon, or the Temple of Vesta, Tivoli, that were considered the best models, a practice that had the effect of standardizing the details of academic architecture in France. His Edifices antiques was reissued in Paris, 1729 and again in 1779, when it proved as helpful to Neoclassical architects as it had been to classicizing Late Baroque ones. The young Robert Adam toyed with the idea of producing a revised version of Desgodetz before he hit on the idea of striking into fresh territory with measured engravings of the ruins of Diocletian's palace at Spalatro.
André Le Nôtre
André Le Nôtre, originally rendered as André Le Nostre, was a French landscape architect and the principal gardener of King Louis XIV of France. Most notably, he was the landscape architect who designed the park of the Palace of Versailles, and his work represents the height of the French formal garden style, or jardin à la française.
French architecture
French architecture ranks high among France's many accomplishments. Indications of the special importance of architecture in France were the founding of the Academy of Architecture in 1671, the first such institution anywhere in Europe, and the establishment in 1720 of the Prix de Rome in architecture, a competition of national interest, funded by the state, and an honor intensely pursued. If the first period of France's preeminent achievement was the Gothic, and the second, the eighteenth century, the longer tradition of French architecture has always been an esteemed one.
Perrault's Colonnade
Claude Perrault's Colonnade is the easternmost façade of the Palais du Louvre in Paris.
François d'Orbay
François d'Orbay (1634–1697) was a French draughtsman and architect who worked closely with Louis Le Vau and Jules Hardouin Mansart.
Architecture of Paris
The city of Paris has notable examples of architecture of every period from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, the Classical revival, and flamboyant style of the reign of Napoleon III; the Belle Époque, and the Art Nouveau style. The great Paris Universal Expositions of 1889 and 1900 added Paris landmarks, including the Eiffel Tower and Grand Palais. In the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century.
Style Louis XIV
The Style Louis XIV, also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture and the Académie royale d'architecture. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin Mansart, Robert de Cotte, Pierre Le Muet, Charles Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–91).
Neoclassicism in France
Neoclassicism is a movement in architecture, design and the arts which was dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.