George Grey Barnard
George Grey Barnard, often written George Gray Barnard, was an American sculptor who trained in Paris. He is especially noted for his heroic sized Struggle of the Two Natures in Man at the Metropolitan Museum of Art, his twin sculpture groups at the Pennsylvania State Capitol, and his Lincoln statue in Cincinnati, Ohio. His major works are largely symbolical in character. His personal collection of Medieval architectural fragments forms a core part of The Cloisters in New York City.
Lee Lawrie
Lee Oscar Lawrie was one of the United States' foremost architectural sculptors and a key figure in the American art scene preceding World War II. Over his long career of more than 300 commissions Lawrie's style evolved through Modern Gothic, to Beaux-Arts, Classicism, and, finally, into Moderne or Art Deco.
Paul Manship
Paul Howard Manship was an American sculptor. He consistently created mythological pieces in a classical style, and was a major force in the Art Deco movement. He is well known for his large public commissions, including the iconic Prometheus in Rockefeller Center and the Celestial Sphere Woodrow Wilson Memorial in Geneva, Switzerland. He is also credited for designing the modern rendition of New York City's official seal
Augustus Saint-Gaudens
Augustus Saint-Gaudens was an American sculptor of the Beaux-Arts generation who embodied the ideals of the American Renaissance. Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to New York, where he achieved major critical success for his monuments commemorating heroes of the American Civil War, many of which still stand. Saint-Gaudens created works such as the Robert Gould Shaw Memorial on Boston Common and grand equestrian monuments to Civil War Generals: General John Logan Memorial in Chicago's Grant Park and William Tecumseh Sherman at the corner of New York's Central Park.
Adolph Alexander Weinman
Adolph Alexander Weinman was a German-born American sculptor and architectural sculptor.
Albert Stewart
Albert Stewart was an American sculptor.
James Earle Fraser (sculptor)
James Earle Fraser was an American sculptor during the first half of the 20th century. His work is integral to many of Washington, D.C.'s most iconic structures.
Alexander Phimister Proctor
Alexander Phimister Proctor was an American sculptor with the contemporary reputation as one of the nation's foremost animaliers.
Evelyn Beatrice Longman
Evelyn Beatrice Longman was the first woman sculptor to be elected a full member of the National Academy of Design in 1919. Her allegorical figure works were commissioned as monuments and memorials, adornment for public buildings, and attractions at art expositions in early 20th-century America.
Sculpture of the United States
The history of sculpture in the United States begins in the 1600s "with the modest efforts of craftsmen who adorned gravestones, Bible boxes, and various utilitarian objects with simple low-relief decorations." American sculpture in its many forms, genres and guises has continuously contributed to the cultural landscape of world art into the 21st century.
Charles Henry Niehaus
Charles Henry Niehaus, was an American sculptor.
Graham, Anderson, Probst & White
Graham, Anderson, Probst & White (GAP&W) was a Chicago architectural firm that was founded in 1912 as Graham, Burnham & Co. This firm was the successor to D. H. Burnham & Co. through Daniel Burnham's surviving partner, Ernest R. Graham, and Burnham's sons, Hubert Burnham and Daniel Burnham Jr. In 1917, the Burnhams left to form their own practice, which eventually became Burnham Brothers, and Graham and the remaining members of Graham, Burnham & Co. – Graham, (William) Peirce Anderson, Edward Mathias Probst, and Howard Judson White – formed the resulting practice. The firm also employed Victor Andre Matteson.
Donald De Lue
Donald Harcourt De Lue was an American sculptor, best known for his public monuments.
Adams Memorial (Saint-Gaudens)
The Adams Memorial is a grave marker located in Section E of Rock Creek Cemetery, Washington, D.C., featuring a cast bronze allegorical sculpture by Augustus Saint-Gaudens. The shrouded figure is seated against a granite block which forms one side of a hexagonal plot, designed by architect Stanford White. Across a small light-toned granite plaza, a comfortable stone bench invites visitors to rest and meditate. The whole is sheltered by a close screen of dense conifers, more dense and uniform in 2015 than in the photograph to the right.
Philip Martiny
Philip H. Martiny was a Franco-American sculptor who worked in the Paris atelier of Eugene Dock, where he became foreman before emigrating to New York in 1878—to avoid conscription in the French army, he later claimed. In the United States he found work with Augustus Saint-Gaudens, with whom he remained five years; a fellow worker in Saint-Gaudens' shop was Frederick MacMonnies. A group photograph taken in Saint-Gaudens's studio about 1883, conserved in the Archives of American Art, shows Kenyon Cox, Richard Watson Gilder, Martiny, Francis Davis Millet, Saint-Gaudens, Julian Alden Weir and Stanford White.
Mario Korbel
Mario Joseph Korbel was a Czech-American sculptor.
Frances Grimes
Frances Taft Grimes was an American sculptor, best remembered for her bas-relief portraits and busts.