Prince Rupert of the Rhine

Prince Rupert of the Rhine, Duke of Cumberland, was a noted German soldier, admiral, scientist, sportsman, colonial governor and amateur artist during the 17th century. He first came to prominence as a Cavalier cavalry commander during the English Civil War.
Nell Gwyn

Eleanor Gwyn, more commonly known as Nell Gwyn, was a prolific celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a long-time mistress of King Charles II of England and Scotland. Called "pretty, witty Nell" by Pepys, she has been regarded as a living embodiment of the spirit of Restoration England and has come to be considered a folk heroine, with a story echoing the rags-to-royalty tale of Cinderella. Gwyn had two sons by King Charles: Charles Beauclerk (1670–1726); and James Beauclerk (1671–1680). Charles was created Earl of Burford and later Duke of St. Albans.
Edward Kynaston

Edward Kynaston was an English actor, one of the last Restoration "boy players", young male actors who played women's roles.
Thomas Killigrew

Thomas Killigrew was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England.
Michael Mohun

Michael Mohun was a leading English actor both before and after the 1642—60 closing of the theatres.
Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689.
Lisle's Tennis Court

Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres.
Gibbon's Tennis Court

Gibbon's Tennis Court was a building off Vere Street and Clare Market, near Lincoln's Inn Fields in London, England. Originally built as a real tennis court, it was used as a playhouse from 1660 to 1663, shortly after the English Restoration. As a theatre, it has been variously called the "Theatre Royal, Vere Street", the "Vere Street Theatre", or simply "The Theatre". It was the first permanent home for Thomas Killigrew's King's Company and was the stage for some of the earliest appearances by professional actresses.
Duke's Company

The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under Prince James, Duke of York's patronage. During this period, theatres began to flourish again after being closed due to restrictions throughout the Interregnum and English Civil War.
Mary Ann Wrighten

Mary Ann Wrighten Pownall, née Mary Matthews, was an English singer, actress and composer.
John Ward (actor)

John Ward was an English actor and theatre manager. The founder of the Warwickshire Company of Comedians – a Birmingham-based theatre company who toured throughout the West Midlands and into Wales during the mid to late eighteenth century – he was the first of the Kemble family theatrical dynasty, whose most notable member was his granddaughter Sarah Siddons. Ward was the first recorded performer of a Shakespearian play in Stratford-upon-Avon, and is also notable as the author of the two earliest surviving prompt books of Shakespeare's Hamlet, which reveal how the play was performed in eighteenth century England and also throw light on earlier practice.
Harriet Siddons

Harriet Siddons, sometimes known as Mrs Henry Siddons, was a Scottish actress and theatre manager.