1.
Prince Rahotep
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This is an article about an Egyptian prince. See also Rahotep, for the pharaoh of the same name, Prince Rahotep was a Prince in ancient Egypt during the 4th dynasty. He was probably a son of Pharaoh Sneferu and his first wife, Rahotep’s titles were inscribed on a magnificent statue of him which, with a statue of his wife, was excavated from his mastaba at Meidum in 1871 by Auguste Mariette. These describe him as High Priest of Ra at Heliopolis, Director of Expeditions and he also has a title given to high nobility, the son of the king, begotten of his body. Rahoteps older brother was Nefermaat I, and his brother was Ranefer. Rahotep died when he was young, and so his half-brother Khufu became pharaoh after Snofru’s death, nofret and Rahotep had three sons – Djedi, Itu and Neferkau – and three daughters – Mereret, Nedjemib and Sethtet. They are depicted in Rahotep’s tomb
2.
Sobekemsaf I
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Sekhemre Wadjkhaw Sobekemsaf I was a pharaoh of Egypt during the 17th Dynasty. He is attested by a series of inscriptions mentioning an expedition to the rock quarries at Wadi Hammamat in the Eastern Desert during his reign. One of the inscriptions is dated to his Year 7. He also extensively restored and decorated the Temple of Monthu at Medamud where a relief of this king making an offering before the gods has survived. For much the reason, a wooden canopic chest also bearing the name Sobekemsaf on it has also been attributed to this king by Ryholt. In contrast to the damage that might have been expected had the chest been in the burned and looted tomb of Sobekemsaf II. 26 is minor, consistent with what it might have suffered at the hands of Qurnawi dealers, Aidan Dodson dates Sekhemre Wadjkhaw Sobekemsafs reign after those of Djehuti and Sekhemre-Wepmaat Intef. First he remarks that Sobekemsafs canopic chest is slightly larger—4.1 cm longer and 3.4 cm higher—than the canopic chests belonging to the two kings. The Danish Egyptologist Kim Ryholt similarly dated Sobekemsaf Is reign after those of Sekhmre-Wepmaat Intef, first, he remarked that a kings son Antefmose is praised by a king Sobekemsaf for his role during a festival of Sokar on statuette BM EA13329. But according to Ryholt in any case the name Antefmose is basilophorous and so the king Sobekemsaf who praised him must have been a successor of the Intef kings, to one of whom the name refers. Furthermore, since Sekhemre Wadjkhaw Sobekemsaf Is son and presumable successor was also named Sobekemsaf rather than Intef, for Ryholt, this may suggest that this temple was restored and put into service again only after Sekhemre Wadjkhaw Sobekemsaf reign. Consequently, Ryholt concluded that Sekhemre Wadjkhaw Sobekemsaf ruled after Nubkheperre Intef, at the opposite end, Daniel Polz, who rediscovered Nubkheperre Intefs tomb at Dra Abu el Naga in 2001, argues that Nubkheperre Intef ruled very late in the 17th dynasty. This means that Sekhemre Wadjkhaw Sobekemsaf could not have reigned between the Intef line of kings and the final three 17th dynasty Ahmoside family of kings and this king was most likely Sekhemre Shedtawy Sobekemsaf II since Sekhemre Wadjkhaw Sobekemsafs son was also named Sobekemsaf. Ryholts interpretation of the lineage here has also accepted by the British Egyptologist Aidan Dodson. Polz also accepts this view but he placed Nubkheperre Intef just prior to the three final Ahmoside kings of the 17th dynasty in his 2003 book. Indeed, this son is known from the statue at Abydos to have also held the name Sobekemsaf and is designated as this kings successor on the same statue. Polz states that this is the most plausible reconstruction of the relationship between the two kings with the name Sobekemsaf in the 17th dynasty. Hence, Sekhemre Shedtawy Sobekemsaf would be Sobekemsaf II —Sobekemsaf Is son and successor— while Sekhemre-Wepmaat Intef and this ultimately implies that Sekhemre Wadjkhaw Sobekemsaf ruled early in the 17th dynasty, before the Intef kings and that he must be numbered Sobekemsaf I
3.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
4.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
5.
Qift
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Qift is a small town in the Qena Governorate of Egypt about 43 km north of Luxor, on the east bank of the Nile. In ancient Egypt, Qift, known then as Gebtu, was an important center for administration, religion, from Qift and Qus, trading expeditions heading for the Red Sea and many mining expeditions into the Eastern Desert left the Nile Valley. Gebtu was at the starting-point of the two great routes leading to the coast of the Red Sea, the one toward the port Tââou. Gebtu was the most important religious center in the area and its principal male deity was Min, a sky-god whose symbol was a thunderbolt. He became a fertility deity, and also was regarded as the male deity of the desert region to the east. His cult rose to prominence in the Middle Kingdom, at that time, he became associated with Horus as the deity, Min-Horus. Later, he was fused with Amen in the deity Min-Amen-ka-Mut-ef, Gebtu, once politically important, especially under the eleventh dynasty, was overshadowed by Thebes. It recuperated its prominence under the Antonines, it was the camp of Legio III Cyrenaica. It rebelled, but soon was captured in 292 by Diocletian after a siege and almost destroyed. In the 6th century, Qift was renamed Justinianopolis, like other cities. Under the Muslim caliphs and the sultans, Qift remained one of the cities of Upper Egypt. In the 13th century, there still were numerous monasteries around the city, Qift was ruined in the 16th century by the Ottomans. Qift was the focus of an American archaeological project from 1987 to 1992, the undecorated northern temple of Min and Isis dates to the Ptolemaic period. Earlier structures on the date back to the Middle Kingdom. The temple was rebuilt during the Ptolemaic Period, the later work has been attributed to an official named Sennuu-shepsi on behalf of Ptolemy II Philadelphus. This northern temple has some additions by Ptolemy IV Philopator ruling from 221-205 BC. He was the son of Ptolemy III and Berenice II of Egypt and was the pharaoh of the Ptolemaic Egypt. More additions were added by Julio-Claudian emperors of Rome, Caligula, the second pylon still carries the dedication text of Nero, and the cartouche of Caligula appears on the north end of this structure
6.
Ptah
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In Egyptian mythology, Ptah is the demiurge of Memphis, god of craftsmen and architects. In the triad of Memphis, he is the spouse of Sekhmet and he was also regarded as the father of the sage Imhotep. Ptah is the Creator god par excellence, He is considered the demiurge who existed before all other things, and by his willfulness, thought the world. It was first conceived by Thought, and realized by the Word, Ptah conceives the world by the thought of his heart and that which Ptah commanded was created, with which the constituents of nature, fauna, and flora, are contained. He also plays a role in the preservation of the world and this document has been known as the Memphite Theology, and shows the god Ptah, the god responsible for the creation of the universe by thought and by the word. Ptah is the patron of craftsmanship, metalworking, carpenters, shipbuilders, from the Middle Kingdom onwards, he was one of five major Egyptian gods with Ra, Isis, Osiris and Amun. He is sometimes represented as a dwarf, naked and deformed, frequently associated with the god Bes, his worship then exceeded the borders of the country and was exported throughout the eastern Mediterranean. Thanks to the Phoenicians, we find figures of Ptah in Carthage, from the Old Kingdom, he quickly absorbs the appearance of Sokar and Tatenen, ancient deities of the Memphite region. His form of Sokar is found contained in its white shroud wearing the Atef crown, in this capacity, he represents the god of the necropolis of Saqqara and other famous sites where the royal pyramids were built. Gradually he formed with Osiris a new deity called Ptah-Sokar-Osiris, statuettes representing the human form, half-human, half-hawk, or simply in its falcon form will be systematically placed in tombs to accompany and protect the dead on their journey to the West. His Tatenen form is represented by a young and vigorous man wearing a crown with two tall plumes that surround the solar disk and he thus embodies the underground fire that rumbles and raises the earth. As such, he was revered by metalworkers and blacksmiths. In this form also, Ptah is the master of ceremonies for Heb Sed, in the holy of holies of his temple in Memphis, as well as in his great sacred boat, he drove in procession to regularly visit the region during major holidays. Ptah was also symbolized by two birds with human heads adorned with solar disks, symbols of the souls of the god Re, the two Ba are also identified as the twin gods Shu and Tefnut and are associated with the djed pillar of Memphis. Finally, Ptah is embodied in the bull, Apis. Frequently referred to as a herald of Re, the animal is the link with the god Re from the New Kingdom. He even received worship in Memphis, probably at the heart of the temple of Ptah. As god of craftsmen, the cult of the god Ptah quickly spread throughout Egypt, for this reason, the oratory of Ptah who listens to prayers was built near the site of Deir el-Medina, the village where the workers and craftsmen were confined
7.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
8.
British Museum
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The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
9.
Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
10.
New Kingdom of Egypt
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
11.
Flinders Petrie
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Sir William Matthew Flinders Petrie, FRS, FBA, commonly known as Flinders Petrie, was an English Egyptologist and a pioneer of systematic methodology in archaeology and preservation of artefacts. He held the first chair of Egyptology in the United Kingdom, some consider his most famous discovery to be that of the Merneptah Stele, an opinion with which Petrie himself concurred. Petrie developed the system of dating based on pottery and ceramic findings. William Matthew Flinders Petrie was born in Maryon Road, Charlton, Kent, England, Anne was the daughter of Captain Matthew Flinders, surveyor of the Australian coastline, spoke six languages and was an Egyptologist. His father taught his son how to survey accurately, laying the foundation for his archaeological career, at the age of eight, he was tutored in French, Latin, and Greek, until he had a collapse and was taught at home. He also ventured his first archaeological opinion aged eight, when visiting the Petrie family were describing the unearthing of the Brading Roman Villa in the Isle of Wight. The boy was horrified to hear the rough shovelling out of the contents, and protested that the earth should be pared away, inch by inch, to see all that was in it and how it lay. All that I have done since, he wrote when he was in his seventies, was there to begin with. I was already in archaeology by nature, on 26 November 1896, Petrie married Hilda Urlin in London. They had two children, John and Ann and they originally lived in Hampstead, where an English Heritage blue plaque now stands on the building they lived in,5 Cannon Place. Their son was John Flinders Petrie, the mathematician, who gave his name to the Petrie polygon, when he died in 1942, Petrie donated his head to the Royal College of Surgeons of London while his body was interred in the Protestant Cemetery on Mt. Zion. World War II was then at its height, and the head was delayed in transit, after being stored in a jar in the college basement, its label fell off and no one knew who the head belonged to. It was identified however, and is now stored, but not displayed, the chair of Edwards Professor of Egyptian Archaeology and Philology at University College London was set up and funded in 1892 by a bequest of Amelia Edwards following her sudden death in that year. Petries supporter since 1880, Edwards had instructed that he should be its first incumbent and he continued to excavate in Egypt after taking up the professorship, training many of the best archaeologists of the day. In 1913 Petrie sold his collection of Egyptian antiquities to University College, London. One of his students was Howard Carter who went on to discover the tomb of Tutankhamun, in his teenage years, Petrie surveyed British prehistoric monuments in attempts to understand their geometry. On that visit, he was appalled by the rate of destruction of monuments, impressed by his scientific approach, they offered him work as the successor to Édouard Naville. Petrie accepted the position and was given the sum of £250 per month to cover the excavations expenses, in November 1884, Petrie arrived in Egypt to begin his excavations
12.
Abydos, Egypt
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Abydos /əˈbaɪdɒs/ is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt, of which it was the capital city. It is located about 11 kilometres west of the Nile at latitude 26°10 N, in the ancient Egyptian language, the city was called Abdju. The English name Abydos comes from the Greek Ἄβυδος, a name borrowed by Greek geographers from the city of Abydos on the Hellespont. These tombs began to be seen as extremely significant burials and in times it became desirable to be buried in the area. Today, Abydos is notable for the temple of Seti I. It is a chronological list showing cartouches of most dynastic pharaohs of Egypt from Menes until Seti Is father, the Great Temple and most of the ancient town are buried under the modern buildings to the north of the Seti temple. Many of the structures and the artifacts within them are considered irretrievable and lost. Abydos was occupied by the rulers of the Predynastic period, whose town, temple, the temple and town continued to be rebuilt at intervals down to the times of the thirtieth dynasty, and the cemetery was used continuously. The pharaohs of the first dynasty were buried in Abydos, including Narmer, who is regarded as founder of the first dynasty and it was in this time period that the Abydos boats were constructed. Some pharaohs of the dynasty were also buried in Abydos. The temple was renewed and enlarged by these pharaohs as well, funerary enclosures, misinterpreted in modern times as great forts, were built on the desert behind the town by three kings of the second dynasty, the most complete is that of Khasekhemwy. From the fifth dynasty, the deity Khentiamentiu, foremost of the Westerners, Pepi I constructed a funerary chapel which evolved over the years into the Great Temple of Osiris, the ruins of which still exist within the town enclosure. Abydos became the centre of the worship of the Isis and Osiris cult, during the First Intermediate Period, the principal deity of the area, Khentiamentiu, began to be seen as an aspect of Osiris, and the deities gradually merged and came to be regarded as one. Khentiamentius name became an epithet of Osiris, King Mentuhotep II was the first one building a royal chapel. In the twelfth dynasty a gigantic tomb was cut into the rock by Senusret III, associated with this tomb was a cenotaph, a cult temple and a small town known as Wah-Sut, that was used by the workers for these structures. Next to that cenotaph were buried kings of the Thirteenth Dynasty, the building during the eighteenth dynasty began with a large chapel of Ahmose I. The Pyramid of Ahmose I was also constructed at Abydos—the only pyramid in the area, thutmose III built a far larger temple, about 130 ft ×200 ft. He also made a way leading past the side of the temple to the cemetery beyond
![Rahotep (raising arms) while offering to Osiris. Stele BM EA 833, drawn by Wallis Budge.[2]](/wiki/File:Rahotep_stele_BM_Budge.png)
