The Inspiration of the Poet
|The Inspiration of the Poet|
|Medium||Oil on canvas|
|Dimensions||183 cm × 213 cm (72 in × 84 in)|
The painting seems to be the one which was in the Cardinal Mazarin Collection in 1653.
The painting depicts Apollo, accompanied by infant Cupids and by one of the Muses, about to crown a poet who is writing under his inspiration. It is not known to what the painting alludes, nor what is its exact subject:. Perhaps the latter was always indefinite, because the picture appears in Mazarin's inventory of 1653 as Apollo with a Muse and a Poet crowned with Laurels. Its warm colouring reveals the Titianesque strain in Poussin's work; it must have been painted during his first Roman period, at the end of the 1620s. Several other paintings of this period are related to this work: The Inspiration of Anacreon, the Parnassus, and the book frontispiece drawn by Poussin and engraved by Claude Mellan for an edition of Virgil published by the Imprimerie Royale in 1641-1642.
Some critics put forward the hypothesis that the model for the Muse, often recognizable in other works of this period by Poussin, may have been Anna Dughet, whom he married in 1630 at San Lorenzo in Lucina (Rome).
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- Scott, Katie; Warwick, Genevieve (1998), Commemorating Poussin: Reception and Interpretation of the Artist, Cambridge University Press, ISBN 0-521-64004-0
- Sohm, Philip Lindsay (2007), The artist grows old: the aging of art and artists in Italy, 1500-1800, Yale University Press, ISBN 0-300-12123-7, Chapter 3. Poussin's hands and Titian's eyes
- Verdi, Richard; Rosenberg, Pierre (1995), Nicolas Poussin 1584-1665, Royal Academy, ISBN 0-302-00656-7
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