1.
Palace
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A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name Palātium, for Palatine Hill in Rome which housed the Imperial residences, in many parts of Europe, the term is also applied to ambitious private mansions of the aristocracy. Many historic palaces are now put to uses such as parliaments, museums, hotels. The word is sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions. The word palace comes from Old French palais, from Latin Palātium, the original palaces on the Palatine Hill were the seat of the imperial power while the capitol on the Capitoline Hill was the religious nucleus of Rome. Long after the city grew to the seven hills the Palatine remained a residential area. Emperor Caesar Augustus lived there in a purposely modest house only set apart from his neighbours by the two trees planted to flank the front door as a sign of triumph granted by the Senate. His descendants, especially Nero, with his Golden House, enlarged the house, the word Palātium came to mean the residence of the emperor rather than the neighbourhood on top of the hill. Palace meaning government can be recognized in a remark of Paul the Deacon, AD790 and describing events of the 660s, When Grimuald set out for Beneventum, he entrusted his palace to Lupus. At the same time, Charlemagne was consciously reviving the Roman expression in his palace at Aachen, in the 9th century, the palace indicated the housing of the government too, and the constantly travelling Charlemagne built fourteen. In the Holy Roman Empire the powerful independent Electors came to be housed in palaces and this has been used as evidence that power was widely distributed in the Empire, as in more centralized monarchies, only the monarchs residence would be a palace. In modern times, the term has been applied by archaeologists and historians to large structures that housed combined ruler, court, in informal usage, a palace can be extended to a grand residence of any kind. The earliest known palaces were the residences of the Egyptian Pharaohs at Thebes, featuring an outer wall enclosing labyrinthine buildings. Other ancient palaces include the Assyrian palaces at Nimrud and Nineveh, the Minoan palace at Knossos, the Brazilian new capital, Brasília, hosts modern palaces, most designed by the citys architect Oscar Niemeyer. The Alvorada Palace is the residence of the Brazils president. The Planalto Palace is the official workplace, the Jaburu Palace is the official residence of Brazils vice-president. In Canada, Government House is a given to the official residences of the Canadian monarchy. The use of the term Government House is a custom from the British Empire
2.
Baroque architecture
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It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
3.
Warsaw
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Warsaw is the capital and largest city of Poland. It stands on the Vistula River in east-central Poland, roughly 260 kilometres from the Baltic Sea and 300 kilometres from the Carpathian Mountains. Its population is estimated at 1.750 million residents within a metropolitan area of 3.101 million residents. The city limits cover 516.9 square kilometres, while the area covers 6,100.43 square kilometres. Once described as Paris of the East, Warsaw was believed to be one of the most beautiful cities in the world until World War II. On 9 November 1939, the city was awarded Polands highest military decoration for heroism, Warsaw is one of Europe’s most dynamic metropolitan cities. In 2012 the Economist Intelligence Unit ranked Warsaw as the 32nd most liveable city in the world, in 2017 the city came 4th in the “Business-friendly” category and 8th in the “Human capital and life style”. It was also ranked as one of the most liveable cities in Central, Warsaw is considered an Alpha– global city, a major international tourist destination and a significant cultural, political and economic hub. The city is a significant centre of research and development, BPO, ITO, the Warsaw Stock Exchange is the largest and most important in Central and Eastern Europe. Frontex, the European Union agency for external security, has its headquarters in Warsaw. Together with Frankfurt, London and Paris, Warsaw is also one of the cities with the highest number of skyscrapers in the European Union, the city is the seat of the Polish Academy of Sciences, Warsaw National Philharmonic Orchestra and the University of Warsaw. The historic city-centre of Warsaw with its picturesque Old Town in 1980 was listed as a UNESCO World Heritage Site, buildings represent examples of nearly every European architectural style and historical period. Warsaw provides many examples of architecture from the gothic, renaissance, baroque, neoclassical and modern periods, furthermore, the city is positioning itself as Europes chic cultural capital with thriving art and club scenes and renowned restaurants. Folk etymology attributes the city name to a fisherman, Wars, according to legend, Sawa was a mermaid living in the Vistula River with whom Wars fell in love. In actuality, Warsz was a 12th/13th-century nobleman who owned a village located at the site of Mariensztat neighbourhood. See also the Vršovci family which had escaped to Poland, the official city name in full is miasto stołeczne Warszawa. A native or resident of Warsaw is known as a Varsovian – in Polish warszawiak, warszawianin, warszawianka, warszawiacy, other names for Warsaw include Varsovia and Varsóvia, Varsovie, Varsavia, Warschau, װאַרשע /Varshe, Варшава /Varšava /Varshava, Varšuva, Varsó. The first fortified settlements on the site of todays Warsaw were located in Bródno, after Jazdów was raided by nearby clans and dukes, a new similar settlement was established on the site of a small fishing village called Warszowa
4.
John III Sobieski
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John III Sobieski, from 1674 until his death King of Poland and Grand Duke of Lithuania, was one of the most notable monarchs of the Polish–Lithuanian Commonwealth. Sobieskis military skill, demonstrated in wars against the Ottoman Empire, sobieskis 22-year reign marked a period of the Commonwealths stabilization, much needed after the turmoil of the Deluge and the Khmelnytsky Uprising. Popular among his subjects, he was a military commander. After his victories over them, the Ottomans called him the Lion of Lechistan, official title, Jan III, z łaski bożej, król Polski, wielki książę litewski, ruski, pruski, mazowiecki, żmudzki, kijowski, wołyński, podlaski i czernichowski, etc. His father, Jakub Sobieski, was the Voivode of Ruthenia and Castellan of Kraków, his mother, John Sobieski spent his childhood in Żółkiew. After graduating from the Nowodworski College in Kraków in 1643, young John Sobieski then graduated from the faculty of the Jagiellonian University in 1646. After finishing his studies, together with his brother Marek Sobieski, John left for western Europe and they visited Leipzig, Antwerp, Paris, London, Leiden and The Hague. Both brothers returned to the Commonwealth in 1648, upon receiving the news of the death of king Władysław IV Vasa and the hostilities of the Khmelnytsky Uprising, they volunteered for the army. They both fought in the siege of Zamość and they founded and commanded their own banners of cavalry. Soon, the fortunes of war separated the brothers, in 1649, Jakub fought in the Battle of Zboriv. In 1652, Marek died in Tatar captivity after his capture at the Battle of Batih, John was promoted to the rank of pułkownik and fought with distinction in the Battle of Berestechko. A promising commander, John was sent by King John II Casimir to Constantinople in the Ottoman Empire as one of the envoys in a mission of Mikołaj Bieganowski. There, Sobieski learned the Tatar language and the Turkish language and studied Turkish military traditions and it is likely he participated as part of the briefly allied Polish-Tatar forces in the 1655 Battle of Okhmativ. By 26 May 1656 he received the position of the chorąży koronny, during the three-day-long battle of Warsaw of 1656, Sobieski commanded a 2, 000-man strong regiment of Tatar cavalry. He took part in a number of engagements over the two years, including in the Siege of Toruń in 1658. In 1659 he was elected a deputy to Sejm, and was one of the Polish negotiators in the Treaty of Hadiach with the Cossacks. In 1660 he took part in the last offensive against the Swedes in Prussia, through personal connections, he became a strong supporter of the French faction in the Polish royal court, represented by Queen Marie Louise Gonzaga. In 1662 he was elected a deputy to the Sejm
5.
Augustus II the Strong
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Augustus II the Strong of the Albertine line of the House of Wettin was Elector of Saxony, Imperial Vicar and became King of Poland and Grand Duke of Lithuania. Augustus great physical strength earned him the nicknames the Strong, the Saxon Hercules, in order to be elected King of the Polish-Lithuanian Commonwealth, Augustus converted to Roman Catholicism. As a Catholic, he received the Order of the Golden Fleece from the Holy Roman Emperor, as Elector of Saxony, he is perhaps best remembered as a patron of the arts and architecture. He established the Saxon capital of Dresden as a cultural centre. Augustus also amassed an art collection and built lavish baroque palaces in Dresden. His reigns brought Poland some troubled times and he led the Polish-Lithuanian Commonwealth in the Great Northern War, which led to the Russian Empire strengthening its influence in Europe, especially within Poland. His main pursuit was bolstering royal power in the Commonwealth, characterized by broad decentralization in comparison with other European monarchies and he tried to accomplish this goal using foreign powers and thus destabilized the state. Augustus was born in Dresden on 12 May 1670, the son of the Elector Johann Georg III. As the second son, Augustus had no expectation of inheriting the electorate, since his brother, Johann Georg IV. Augustus married Kristiane Eberhardine of Brandenburg-Bayreuth in Bayreuth on 20 January 1693 and they had a son, Frederick Augustus II, who succeeded his father as Elector of Saxony and King of Poland as Augustus III. While cavorting during the season in Venice, his older brother. On 27 April 1694, Johann Georg died without issue and Augustus became Elector of Saxony. To be eligible for election to the throne of the Polish–Lithuanian Commonwealth in 1697, the Saxon dukes had traditionally been called champions of the Reformation. Saxony had been a stronghold of German Protestantism and Augustus conversion was considered shocking in Protestant Europe. Although the prince-elector guaranteed Saxonys religious status quo, Augustus conversion alienated many of his Protestant subjects, as a result of the enormous expenditure of money used to bribe the Polish nobility and clergy, Augustus contemporaries derisively referred to the Saxon dukes royal ambitions as his Polish adventure. His church policy within the Holy Roman Empire followed orthodox Lutheranism and ran counter to his new-found religious, the Protestant princes of the empire and the two remaining Protestant electors were anxious to keep Saxony well-integrated in their camp. Saxony remained Lutheran and the few Roman Catholics residing in Saxony lacked any political or civil rights. In 1717, it clear just how awkward the situation was, to realize his ambitious dynastic plans in Poland and Germany
6.
National Museum, Warsaw
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The National Museum in Warsaw, popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. The museum is home to numismatic collections, a gallery of applied arts. The National Museum in Warsaw was established on 20 May 1862, as the Museum of Fine Arts, Warsaw, the collection, on Jerusalem Avenue, is housed in a building designed by Tadeusz Tolwiński, developed between 1927 and 1938. In 1932 an exhibition of decorative art opened in the two earlier erected wings of the building, the new building was inaugurated on 18 June 1938. The purpose-built modernistic edifice, was situated on the edge of Na Książęcem Park established between 1776–79 for Prince Kazimierz Poniatowski, from 1935 the museum director was Stanisław Lorentz, who directed an effort to save the most valuable works of art during World War II. The Gestapo headquarters presented Rembrandts portrait of Maerten Soolmans as a gift to Hans Frank in occupied Kraków, after the war the Polish Government, under the supervision of Professor Lorentz, retrieved many of the works seized by the Germans. More than 5,000 artifacts are still missing, in 2008 the Polish Archaeological Mission Tyritake of National Museum in Warsaw commenced works at Tyritake, Crimea. It is headed by Alfred Twardecki curator of the Ancient Art Gallery, in 2010 the National Museum, as one of the first state institutions in the world, held an exhibition entirely consecrated to homoerotic art - Ars Homo Erotica. Since the 2011–12 renovation, the museum is considered as one of the most modern in Europe with a computer-led LED lighting allowing to enhance unique qualities of every painting. In 2012 the permanent galleries underwent revolutionary changes, the curators of the museum re-arranged it and supplemented it with new works from the museums warehouses. Paintings were not hung chronologically, but thematically, genre painting, still lifes, landscapes, cityscapes, biblical, mythological, works by Italian, Flemish, Dutch, German and Polish artists were hung together, making it easy to observe and compare similarities and differences. The Gallery of Medieval Art mainly presents objects from the late Middle Ages, originating from different regions of todays Poland and these works were originally designed almost exclusively for churches. The exhibition was designed to allow the audience to understand the role of art in the life of the Middle Ages. The new techniques implemented in the gallery allow the presentation of large polyptychs, such as the famous Grudziądz Polyptych. The new arrangement of the exhibition was designed by WWAA, the Gallery of Old Masters on the second floor was conceived from the former Gallery of Decorative Art, Gallery of Old European Painting and the Gallery of Old Polish and European Portrait in 2016. It combines species of pictorial art - painting, sculpture, drawings and these social spaces have provided the key to the division of the gallery,1. Church, chapel and domestic altar,3, in the redesigned gallery, the works are presented not according to national schools, but as a confrontation of artistic circles of the South and North. The new system reflects the hierarchy of the created by Renaissance art theory
7.
Partitions of Poland
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The First Partition of Poland was decided on August 5,1772. Two decades later, Russian and Prussian troops entered the Commonwealth again, Austria did not participate in the Second Partition. The Third Partition of Poland took place on October 24,1795, with this partition, the Commonwealth ceased to exist. In Polish, there are two words for the two meanings. In Polish historiography, the term Fourth Partition of Poland has also been used, the term Fourth Partition in a temporal sense can also mean the diaspora communities that played important political role in re-establishing the Polish sovereign state after 1918. A single member of parliaments belief that a measure was injurious to his own constituency, even after the act had been approved and it became increasingly difficult to undertake action. The liberum veto also provided openings for foreign diplomats to get their ways and this applies particularly to the last Commonwealth King Stanisław August Poniatowski, who for some time had been a lover of Russian Empress Catherine the Great. Their alliance later became known in Poland as the Alliance of the Three Black Eagles, the Commonwealth could never be liquidated unless its long-time ally, Austria, allowed it, so Catherine had to use diplomacy to win Austria to her side. Frederick II retaliated by ordering enough Polish currency counterfeited to severely affect the Polish economy and this new constitution undid the reforms made in 1764 under Stanisław II. The liberum veto and all the old abuses of the last one, the irregular and poorly commanded Polish forces had little chance in the face of the regular Russian army and suffered a major defeat. In 1769 Austria annexed a small territory of Spisz and in 1770 – Nowy Sącz and these territories had been a bone of contention between Poland and Hungary, which was a part of the Austrian crown lands. In February 1772, the agreement of partition was signed in Vienna, early in August, Russian, Prussian and Austrian troops simultaneously invaded the Commonwealth and occupied the provinces agreed upon among themselves. The partition treaty was ratified by its signatories on September 22,1772, to Austria fell Zator and Auschwitz, part of Lesser Poland embracing parts of the counties of Kraków and Sandomir and the whole of Galicia, less the city of Kraków. Catherine of Russia was also very satisfied, by this diplomatic document Russia came into possession of that section of Livonia that had remained in Commonwealth control, and of Belarus embracing the counties of Vitebsk, Polotsk and Mstislavl. By this partition, the Polish–Lithuanian Commonwealth lost about 30% of its territory and half of its population, by seizing northwestern Poland, Prussia instantly gained control over 80% of the Commonwealths total foreign trade. Through levying enormous customs duties, Prussia accelerated the collapse of the Commonwealth, after having occupied their respective territories, the three partitioning powers demanded that King Stanisław and the Sejm approve their action. By 1790 the First Polish Republic had been weakened to such a degree that it was forced into an unnatural and terminal alliance with its enemy, the Polish–Prussian Pact of 1790 was signed. The conditions of the Pact contributed to the succeeding and final two partitions of Poland–Lithuania, the May Constitution of 1791 enfranchised the bourgeoisie, established the separation of the three branches of government, and eliminated the abuses of the Repnin Sejm
8.
Warsaw Old Town
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The Warsaw Old Town is the oldest part of the capital city. It is bounded by the Wybrzeże Gdańskie, along with the bank of Vistula river, Grodzka, Mostowa and it is one of the most prominent tourist attractions in Warsaw. The heart of the area is the Old Town Market Place, rich in restaurants, cafés, surrounding streets feature medieval architecture such as the city walls, the Barbican and St. Johns Cathedral. The Old Town was established in the 13th century, initially surrounded by an earthwork rampart, prior to 1339 it was fortified with brick city walls. The town originally grew up around the castle of the Dukes of Mazovia that later became the Royal Castle, the Market Square was laid out sometime in the late 13th or early 14th century, along the main road linking the castle with the New Town to the north. Until 1817 the Old Towns most notable feature was the Town Hall built before 1429, in 1701 the square was rebuilt by Tylman Gamerski, and in 1817 the Town Hall was demolished. In the early 1910s Warsaw Old Town was the home of the prominent Yiddish writer Alter Kacyzne, parts of it were bohemian, with painters and artists having their studios, while some streets were a Red-light district housing brothels. In 1918 the Royal Castle once again became the seat of Polands highest authorities, in the late 1930s, during the mayoralty of Stefan Starzyński, the municipal authorities began refurbishing the Old Town and restoring it to its former glory. The Barbican and the Old Town Market Place were partly restored and these efforts, however, were brought to an end by the outbreak of World War II. During the Invasion of Poland, much of the district was damaged by the German Luftwaffe. Following the Siege of Warsaw, parts of the Old Town were rebuilt, a statue commemorating the Uprising, the Little Insurgent, now stands on the Old Towns medieval city wall. After World War II, the Old Town was meticulously rebuilt, in an effort at anastylosis, as many as possible of the original bricks were reused. The rubble was sifted for reusable decorative elements, which were reinserted into their original places. The Old Town Market Place, which dates back to the end of the 13th century, is the heart of the Old Town. Here the representatives of guilds and merchants met in the Town Hall, and fairs, the houses around it represented the Gothic style until the great fire of 1607, after which they were rebuilt in late-Renaissance style. Castle Square is a visitors first view of the reconstructed Old Town and it is an impressive sight, dominated by Zygmunts Column, which towers above the beautiful Old Town houses. Enclosed between the Old Town and the Royal Castle, Castle Square is steeped in history, here was the gateway leading into the city called the Kraków Gate. It was developed in the 14th century and continued to be an area for the kings
9.
Baroque
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The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
10.
Bernardo Bellotto
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Bernardo Bellotto, also called Canaletto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities. He was the pupil and nephew of Canaletto and sometimes used the latters illustrious name, in Germany and Poland, Bellotto called himself by his uncles name, Canaletto. Bellottos style was characterized by elaborate representation of architectural and natural vistas and it is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views. Bellotto was born in Venice, the son of Lorenzo Antonio Bellotto and Fiorenza Canal, sister of the famous Canaletto, in 1742 he moved to Rome, where he produced vedute of that city. In 1744 and 1745 he traveled northern Italy, again depicting vedute of each city, among others, he worked for Charles Emmanuel III of Savoy. From 1747 to 1758 he moved to Dresden, following an invitation from King August III of Poland and he created paintings of the cities Dresden and Pirna and their surroundings. Today these paintings preserve a memory of Dresdens former beauty, which was destroyed by bombing during World War II and his international reputation grew, and in 1758 he accepted an invitation from Empress Maria Theresa to come to Vienna, where he painted views of the citys monuments. In 1761 Bellotto left Vienna for Munich, where he spent almost a year, in a letter to her cousin Maria Antonia of Bavaria, Empress Maria Theresia had praised Bellottos artistic achievements at the Viennese court. Logically, he was commissioned works by the family of Bavaria. He painted a view of Munich and two vedute of Nymphenburg Palace for the elector of Bavaria. At the end of 1761, Bellotto returned to Dresden, when King August III of Poland, also an Elector of Saxony, who usually lived in Dresden, died in 1763, Bellottos work became less important in Dresden. As a consequence, he left Dresden to seek employment in Saint Petersburg at the court of Catherine II of Russia. On his way to Saint Petersburg, however, Bellotto accepted an invitation in 1764 from Polands newly elected King Stanislaus Augustus Poniatowski to become his court painter in Warsaw from 1768, Maria Maggiore and in private collections. His colouring is colder and characterized by a steely grey, Bellotto created a school of painting which was later continued and developed by Zygmunt Vogel and Marcin Zaleski. Bernardo Bellotto died in Warsaw in 1780 and was buried in Capuchin Church at Miodowa Street and his younger brother was named Pietro Bellotto and after collaborating with Canaletto and his brother, moved to France, where he was known as le Sieur Canalety and Pietro Bellotti di Caneletty. The brother was also referred to as Belloti, Belloty, Beloty, Bernardo Bellotto and His Circle in Italy. Part I, Not Canaletto but Bellotto, belotto Bernardo, zwany Canaletto, Encyklopedia Polski, p.42. STEPHANE LOIRE, HANNA MALACHOWICZ, KRZYSTOF POMIAN, ANDRZEJ ROTTERMUND, Bernardo Bellotto, Un pittore veneziano a Varsavia
11.
Czartoryski
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Czartoryski is a Polish princely family of Lithuanian-Ruthenian origin, also known as the Familia. The family, which derived their kin from the Gediminids dynasty and they used the Czartoryski coat of arms and were a noble family of the Polish–Lithuanian Commonwealth in the 18th century. The Czartoryski family is of Grand Ducal Lithuanian descent from Ruthenia and their ancestor was the Grand Duke of Lithuania Algirdass son, known after his baptismal name Constantine, who became a Prince of Chortoryisk in Volhynia. One of his sons Vasyli Chortoryiski was granted an estate in Volhynia in 1393, the founding members were Ruthenian and Eastern Orthodox, and then converted to Roman Catholicism during the 16th century. It was Michaels descendant Prince Kazimierz Czartoryski Duke of Klewan and Zukow, an intelligent, well educated man, he married Isabella Morsztyn daughter of the Grand Treasurer of Poland and built The Familia with their four children, Michał, August, Teodor and Konstancja. The family attained the height of its influence from the century in the court of Augustus III of Poland. The Czartoryski family is renowned for the Czartoryski Museum in Kraków. Today, the descendants of Prince Adam Jerzy Czartoryski are Prince Adam Karol Czartoryski. The descendants of Prince Konstanty Adam Czartoryski live to this day in Poland and have their representatives in the Confederation of the Polish Nobility, the Czartoryski family used the Czartoryski coat of arms and the motto Bądź co bądź. The familys arms were a modification of the Pogoń Litewska arms, notable members include, Wasyl Czartoryski, married Hanna Michał Czartoryski, married Maria Niemir Teodor Czartoryski, married Princes Zofia Sanguszko h. Pogoń Litewska Iwan Czartoryski, married Princess Anna Zasławska h, korybut Jerzy Czartoryski, married Princess Aleksandra Wiśniowiecka h. Hołowiński and Princess Zofia Lubomirska h, szreniawa Michał Jerzy Czartoryski, married Princess Izabella Korecka h. Pogoń Litewska Michał Jerzy Czartoryski, married Rosine Margarethe von Eckenberg, szeliga and Joanna Weronika Olędzka h. Rawa Kazimierz Czartoryski, married Countess Izabela Elżbieta Morsztyn h, leliwa Michał Fryderyk Czartoryski, married Countess Elenora Monika Waldstein August Aleksander Czartoryski married Countess Maria Zofia Sieniawska h. Leliwa Adam Kazimierz Czartoryski, married Izabela Czartoryska h, fleming Maria Anna Czartoryska, married Louis, Duke of Württemberg Adam Jerzy Czartoryski, married Princess Anna Zofia Sapieha h. Lis Izabella Elżbieta Czartoryska, married Count Jan Kanty Działyński h, ogończyk Witold Czartoryski, married Maria Cycylia Grocholska h. Ślepowron Elżbieta Czartoryska married Count Stefan Adam Zamoyski h, gozdawa Jerzy Konstanty Czartoryski, married Maria Joanna Czermak Witold Leon Czartoryski, married Countess Jadwiga Dzieduszycka h. Sas Włodzimierz Alfons Czartoryski, married Countess Zofia Tyszkiewicz h, leliwa Professor Paweł Czartoryski Beatified Jan Franciszek Czartoryski Roman Jacek Czartoryski, married Countess Teresa Janina Zamoyska h
Media related to Wilanów Palace at Wikimedia Commons
